#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#37: Operate with radical transparency.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#111: Do it together.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#117: Consider design, organisational structures and architecture as programme.|#6: Demand that visitors are active.|#35: The artist fee should be good.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#51: How do we invite the true unknown?|#15: Kunsthal Gent aims to be an extension of public space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#37: Operate with radical transparency.|#65: No excuses: Thursday morning, team meeting.|#14: Can you also remain a toddler institution?|#111: Do it together.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#64: Arrange a distribution of forces.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#117: Consider design, organisational structures and architecture as programme.|#6: Demand that visitors are active.|#35: The artist fee should be good.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#29: We make the program for the artist that we exhibit.|#137: Use the publication as programming space|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#51: How do we invite the true unknown?|#15: Kunsthal Gent aims to be an extension of public space.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
