#99: Evolve according to changing needs.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#40: Follow the artist|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#59: Always protect the floor when painting (or pouring concrete)|#21: Live with the exhibition, spend time with it.|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#36: We support production separately.|#98: The success of it will not lie in the result but in the process.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#137: Use the publication as programming space|#6: Demand that visitors are active.|#99: Evolve according to changing needs.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#35: The artist fee should be good.|#40: Follow the artist|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#59: Always protect the floor when painting (or pouring concrete)|#21: Live with the exhibition, spend time with it.|#91: Embrace doubt.|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#36: We support production separately.|#98: The success of it will not lie in the result but in the process.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#137: Use the publication as programming space|#6: Demand that visitors are active.|
