#36: We support production separately.|#51: How do we invite the true unknown?|#56: Take a lunch break.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#17: An exhibition is never finished.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#107: Build a community / scene.|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|#137: Use the publication as programming space|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#82: Clean and sterile looks professional, but really boring.|#14: Can you also remain a toddler institution?|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|#36: We support production separately.|#51: How do we invite the true unknown?|#56: Take a lunch break.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#17: An exhibition is never finished.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#107: Build a community / scene.|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|#137: Use the publication as programming space|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#81: Things come alive when there is friction.|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#82: Clean and sterile looks professional, but really boring.|#14: Can you also remain a toddler institution?|#89: Build-in impurity within the organisation.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|
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20.12.2019 20:00

La Fabrique d'un Single screen

Pay what you can

Joëlle Tuerlinckx:
PERFORMANCES

Joëlle Tuerlinckx - La Fabrique d'un Single screen

20 September 2019 until 12 January 2020

PERFORMANCES
on 20 September, 1 November and 20 December

From September 20, Kunsthal Gent presents a film performance by Joëlle Tuerlinckx, La Fabrique d'un Single screen. Tuerlinckx makes Kunsthal Gent her studio for the editing of the film The Single Screen, a project that was developed in Dia:Beacon (US) between 2015 and 2018. The process of reworking, editing and re-taking more than 200 hours of sound and visual material becomes a new exhibition in Kunsthal Gent, which involves actors and collaborators, but also the public.

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MDC KH JT 1 001 LR

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