#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#91: Embrace doubt.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#64: Arrange a distribution of forces.|#15: Kunsthal Gent aims to be an extension of public space.|#44: No name tags at dinner.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#54: What about disabled artists?|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#91: Embrace doubt.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#64: Arrange a distribution of forces.|#15: Kunsthal Gent aims to be an extension of public space.|#44: No name tags at dinner.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#54: What about disabled artists?|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|
