#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#91: Embrace doubt.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#64: Arrange a distribution of forces.|#15: Kunsthal Gent aims to be an extension of public space.|#44: No name tags at dinner.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#54: What about disabled artists?|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#14: Can you also remain a toddler institution?|#16: Kunsthal Gent will always be a construction site.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#91: Embrace doubt.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#64: Arrange a distribution of forces.|#15: Kunsthal Gent aims to be an extension of public space.|#44: No name tags at dinner.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#20: Are exhibitions the most suitable form for the art that we present?|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#54: What about disabled artists?|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#98: The success of it will not lie in the result but in the process.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|
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20.12.2019 20:00

La Fabrique d'un Single screen

Pay what you can

Joëlle Tuerlinckx:
PERFORMANCES

Joëlle Tuerlinckx - La Fabrique d'un Single screen

20 September 2019 until 12 January 2020

PERFORMANCES
on 20 September, 1 November and 20 December

From September 20, Kunsthal Gent presents a film performance by Joëlle Tuerlinckx, La Fabrique d'un Single screen. Tuerlinckx makes Kunsthal Gent her studio for the editing of the film The Single Screen, a project that was developed in Dia:Beacon (US) between 2015 and 2018. The process of reworking, editing and re-taking more than 200 hours of sound and visual material becomes a new exhibition in Kunsthal Gent, which involves actors and collaborators, but also the public.

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MDC KH JT 1 001 LR

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