#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#56: Take a lunch break.|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#37: Operate with radical transparency.|#20: Are exhibitions the most suitable form for the art that we present?|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|#14: Can you also remain a toddler institution?|#36: We support production separately.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#56: Take a lunch break.|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#99: Evolve according to changing needs.|#37: Operate with radical transparency.|#20: Are exhibitions the most suitable form for the art that we present?|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#82: Clean and sterile looks professional, but really boring.|#89: Build-in impurity within the organisation.|#6: Demand that visitors are active.|#14: Can you also remain a toddler institution?|#36: We support production separately.|#74: Last one out turns of the lights.|#10: Don’t be obsessed with numbers.|
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20.12.2019 20:00

La Fabrique d'un Single screen

Pay what you can

Joëlle Tuerlinckx:
PERFORMANCES

Joëlle Tuerlinckx - La Fabrique d'un Single screen

20 September 2019 until 12 January 2020

PERFORMANCES
on 20 September, 1 November and 20 December

From September 20, Kunsthal Gent presents a film performance by Joëlle Tuerlinckx, La Fabrique d'un Single screen. Tuerlinckx makes Kunsthal Gent her studio for the editing of the film The Single Screen, a project that was developed in Dia:Beacon (US) between 2015 and 2018. The process of reworking, editing and re-taking more than 200 hours of sound and visual material becomes a new exhibition in Kunsthal Gent, which involves actors and collaborators, but also the public.

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MDC KH JT 1 001 LR

GERELATEERDE TENTOONSTELLINGEN