#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#35: The artist fee should be good.|#44: No name tags at dinner.|#56: Take a lunch break.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#111: Do it together.|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#29: We make the program for the artist that we exhibit.|#105: Kunsthal Gent is local in scale, but globally connected.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#35: The artist fee should be good.|#44: No name tags at dinner.|#56: Take a lunch break.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#119: Be a space of production.|#111: Do it together.|#17: An exhibition is never finished.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#6: Demand that visitors are active.|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#82: Clean and sterile looks professional, but really boring.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|
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20.12.2019 20:00

La Fabrique d'un Single screen

Pay what you can

Joëlle Tuerlinckx:
PERFORMANCES

Joëlle Tuerlinckx - La Fabrique d'un Single screen

20 September 2019 until 12 January 2020

PERFORMANCES
on 20 September, 1 November and 20 December

From September 20, Kunsthal Gent presents a film performance by Joëlle Tuerlinckx, La Fabrique d'un Single screen. Tuerlinckx makes Kunsthal Gent her studio for the editing of the film The Single Screen, a project that was developed in Dia:Beacon (US) between 2015 and 2018. The process of reworking, editing and re-taking more than 200 hours of sound and visual material becomes a new exhibition in Kunsthal Gent, which involves actors and collaborators, but also the public.

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MDC KH JT 1 001 LR

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