#124: Do less, do it better.|#44: No name tags at dinner.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#35: The artist fee should be good.|#84: The White Cube is a lie.|#40: Follow the artist|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#98: The success of it will not lie in the result but in the process.|#119: Be a space of production.|#132: Things will always look weird when you’re the first doing it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#124: Do less, do it better.|#44: No name tags at dinner.|#26: More artists, less borders.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#35: The artist fee should be good.|#84: The White Cube is a lie.|#40: Follow the artist|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#98: The success of it will not lie in the result but in the process.|#119: Be a space of production.|#132: Things will always look weird when you’re the first doing it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#53: Immaterial support for artists is important.|#20: Are exhibitions the most suitable form for the art that we present?|#55: Keep basic human needs on the forefront.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|
