#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#10: Don’t be obsessed with numbers.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#127: Remain practical: what happens to the work in an endless exhibition?|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#91: Embrace doubt.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#137: Use the publication as programming space|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#17: An exhibition is never finished.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#10: Don’t be obsessed with numbers.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#127: Remain practical: what happens to the work in an endless exhibition?|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#91: Embrace doubt.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#137: Use the publication as programming space|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#17: An exhibition is never finished.|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#35: The artist fee should be good.|
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08—09.01.2022 13:00

Final weekend

Pay what you can

CHT/Totalism.org:
HYPERGALLERY

The weekend of 8 and 9 January is the last chance to see the “HYPERGALLERY” in the Permanently Practising studio: a new mixed-reality media for collaborative expression, deployed to portray the CHT/Totalism.org project's nomadic embedding in the nature-cultures of Canary Islands. ±20min loop, ±10 separate parts.

HYPERGALLERY was developed in Oct-Dec 2021 during a work period of CHT/Totalism.org in the Development Programme at Kunsthal Gent, as an extension to the E2H knowledge collectivity software.

The system mediates synchronous collaborative writing (of "pads") into multi-screen sequences, controls generative auto-exploration of hyperspace & media collections, and guides movable head lights to real-world fixtures. This allows for a powerful yet reasonably accessible multi-user, mixed-reality authoring — forming stories that combine material as distinct as whole websites, burst-mode photography, physical objects, and text fragments.

More information on website.
CHT Totalism Hypergallery

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