#61: No all male install teams.|#55: Keep basic human needs on the forefront.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#132: Things will always look weird when you’re the first doing it.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#28: Make Contracts.|#94: No objections? Just do it.|#37: Operate with radical transparency.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#35: The artist fee should be good.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|#61: No all male install teams.|#55: Keep basic human needs on the forefront.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#132: Things will always look weird when you’re the first doing it.|#15: Kunsthal Gent aims to be an extension of public space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#20: Are exhibitions the most suitable form for the art that we present?|#6: Demand that visitors are active.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#26: More artists, less borders.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#28: Make Contracts.|#94: No objections? Just do it.|#37: Operate with radical transparency.|#117: Consider design, organisational structures and architecture as programme.|#111: Do it together.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#35: The artist fee should be good.|#44: No name tags at dinner.|#32: Be pan-gender polyphonic.|
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08—09.01.2022 13:00

Final weekend

Pay what you can

CHT/Totalism.org:
HYPERGALLERY

The weekend of 8 and 9 January is the last chance to see the “HYPERGALLERY” in the Permanently Practising studio: a new mixed-reality media for collaborative expression, deployed to portray the CHT/Totalism.org project's nomadic embedding in the nature-cultures of Canary Islands. ±20min loop, ±10 separate parts.

HYPERGALLERY was developed in Oct-Dec 2021 during a work period of CHT/Totalism.org in the Development Programme at Kunsthal Gent, as an extension to the E2H knowledge collectivity software.

The system mediates synchronous collaborative writing (of "pads") into multi-screen sequences, controls generative auto-exploration of hyperspace & media collections, and guides movable head lights to real-world fixtures. This allows for a powerful yet reasonably accessible multi-user, mixed-reality authoring — forming stories that combine material as distinct as whole websites, burst-mode photography, physical objects, and text fragments.

More information on website.
CHT Totalism Hypergallery

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