#54: What about disabled artists?|#92: We’re a learning organisation.|#119: Be a space of production.|#36: We support production separately.|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#68: Once in a while we need to get out of utopia and get something done.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#54: What about disabled artists?|#92: We’re a learning organisation.|#119: Be a space of production.|#36: We support production separately.|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#20: Are exhibitions the most suitable form for the art that we present?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#68: Once in a while we need to get out of utopia and get something done.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#59: Always protect the floor when painting (or pouring concrete)|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|
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30.03.2023 19:30

Concert

Price: € 16

Left Waves: Ana Roxanne

  • Doors: 19:30
  • Concert: 20:30

Left Waves invites American producer Ana Roxanne, perhaps the ambient revelation of recent years. She first made herself heard with her esoteric EP ~~~ . Her subdued ambient made a deep impression. She was immediately invited to perform at renowned festivals such as Dekmantel, Pitchfork Music Festival and Le Guess Who.

Top British label Kranky (Tim Hecker, Grouper) immediately enlisted her to release follow-up album Because of a Flower. This album was also received with open arms by the music press: Pitchfork (8/10), Indiestyle (****), The Quietus (8/10), ... We hear soft harmonies and ambient soundscapes reminiscent of the best of Grouper and Julia Holter. Also the dream pop of Julianna Barwick, Cocteau Twins, This Mortal Coil and Dead Can Dance is never far away.

No better venue than the beautiful church hall of Kunsthal Gent to do justice to her music.

I.c.w. Democrazy & Kunstencentrum VIERNULVIER

Ana Roxanne 1 Rich Lomi