#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#62: Be kind. Full dishwasher: empty it.|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#62: Be kind. Full dishwasher: empty it.|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|
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30.03.2023 19:30

Concert

Price: € 16

Left Waves: Ana Roxanne

  • Doors: 19:30
  • Concert: 20:30

Left Waves invites American producer Ana Roxanne, perhaps the ambient revelation of recent years. She first made herself heard with her esoteric EP ~~~ . Her subdued ambient made a deep impression. She was immediately invited to perform at renowned festivals such as Dekmantel, Pitchfork Music Festival and Le Guess Who.

Top British label Kranky (Tim Hecker, Grouper) immediately enlisted her to release follow-up album Because of a Flower. This album was also received with open arms by the music press: Pitchfork (8/10), Indiestyle (****), The Quietus (8/10), ... We hear soft harmonies and ambient soundscapes reminiscent of the best of Grouper and Julia Holter. Also the dream pop of Julianna Barwick, Cocteau Twins, This Mortal Coil and Dead Can Dance is never far away.

No better venue than the beautiful church hall of Kunsthal Gent to do justice to her music.

I.c.w. Democrazy & Kunstencentrum VIERNULVIER

Ana Roxanne 1 Rich Lomi