#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#62: Be kind. Full dishwasher: empty it.|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#94: No objections? Just do it.|#105: Kunsthal Gent is local in scale, but globally connected.|#34: We pay artists.|#20: Are exhibitions the most suitable form for the art that we present?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#2: Bring something new to the city of Ghent.|#119: Be a space of production.|#62: Be kind. Full dishwasher: empty it.|#124: Do less, do it better.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|
