#127: Remain practical: what happens to the work in an endless exhibition?|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|
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02.11.2021 18:00

Pay what you can

Local Knowledge

Local Knowledge

Tuesday 2nd November - 19.00 - 21.00 (doors open from 18.00)
Location: cinema

Please join a fascinating talk by local residents sharing their personal archives and stories of living in Patershol. Beforehand (from 18.00) you can also visit the archive presentation on the monastery, assembled by Grace Ndiritu and Jubilee.

Speakers include:

Norbert Detaeye - on three generations of his family growing up and living in Het Pand since 1900s.

Luc Rogiest - occupier of Het Pand in the 1970s on the history and eviction of the residents.

Emilie De Vlam
- current Pandemisten and the longest standing resident of Het Pand talking on the speculative future of the site.

Image: Pandinisten archive

GHENT: HOW TO LIVE TOGETHER

This event is part of GHENT: HOW TO LIVE TOGETHER (A Season of Truth and Reconciliation), a project by artist Grace Ndiritu in the framework of Kunsthal Gent's Development Programme.

Grace Ndiritu examines how the site of the former Caermersklooster, where the interests of the different people and institutions who use or own the site are in conflict, can serve as a model for the practice of commoning. In collaboration with Jubilee.

2017 1 Archief Pandinisten

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