#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#119: Be a space of production.|#124: Do less, do it better.|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#36: We support production separately.|#107: Build a community / scene.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#29: We make the program for the artist that we exhibit.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#30: Don’t work with artists who are assholes.|#119: Be a space of production.|#124: Do less, do it better.|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#55: Keep basic human needs on the forefront.|#16: Kunsthal Gent will always be a construction site.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#36: We support production separately.|#107: Build a community / scene.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#26: More artists, less borders.|#29: We make the program for the artist that we exhibit.|
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02.11.2021 18:00

Pay what you can

Local Knowledge

Local Knowledge

Tuesday 2nd November - 19.00 - 21.00 (doors open from 18.00)
Location: cinema

Please join a fascinating talk by local residents sharing their personal archives and stories of living in Patershol. Beforehand (from 18.00) you can also visit the archive presentation on the monastery, assembled by Grace Ndiritu and Jubilee.

Speakers include:

Norbert Detaeye - on three generations of his family growing up and living in Het Pand since 1900s.

Luc Rogiest - occupier of Het Pand in the 1970s on the history and eviction of the residents.

Emilie De Vlam
- current Pandemisten and the longest standing resident of Het Pand talking on the speculative future of the site.

Image: Pandinisten archive

GHENT: HOW TO LIVE TOGETHER

This event is part of GHENT: HOW TO LIVE TOGETHER (A Season of Truth and Reconciliation), a project by artist Grace Ndiritu in the framework of Kunsthal Gent's Development Programme.

Grace Ndiritu examines how the site of the former Caermersklooster, where the interests of the different people and institutions who use or own the site are in conflict, can serve as a model for the practice of commoning. In collaboration with Jubilee.

2017 1 Archief Pandinisten

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