#127: Remain practical: what happens to the work in an endless exhibition?|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#74: Last one out turns of the lights.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#20: Are exhibitions the most suitable form for the art that we present?|#112: Spaces today don’t need to be curated, but occupied.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#65: No excuses: Thursday morning, team meeting.|#124: Do less, do it better.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#89: Build-in impurity within the organisation.|#59: Always protect the floor when painting (or pouring concrete)|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|
