#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#94: No objections? Just do it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#19: Have fun at the exhibition.|#111: Do it together.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#84: The White Cube is a lie.|#61: No all male install teams.|#56: Take a lunch break.|#44: No name tags at dinner.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#34: We pay artists.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#59: Always protect the floor when painting (or pouring concrete)|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#124: Do less, do it better.|#94: No objections? Just do it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#19: Have fun at the exhibition.|#111: Do it together.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#10: Don’t be obsessed with numbers.|#84: The White Cube is a lie.|#61: No all male install teams.|#56: Take a lunch break.|#44: No name tags at dinner.|#81: Things come alive when there is friction.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#34: We pay artists.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#65: No excuses: Thursday morning, team meeting.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#59: Always protect the floor when painting (or pouring concrete)|
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02.11.2021 18:00

Pay what you can

Local Knowledge

Local Knowledge

Tuesday 2nd November - 19.00 - 21.00 (doors open from 18.00)
Location: cinema

Please join a fascinating talk by local residents sharing their personal archives and stories of living in Patershol. Beforehand (from 18.00) you can also visit the archive presentation on the monastery, assembled by Grace Ndiritu and Jubilee.

Speakers include:

Norbert Detaeye - on three generations of his family growing up and living in Het Pand since 1900s.

Luc Rogiest - occupier of Het Pand in the 1970s on the history and eviction of the residents.

Emilie De Vlam
- current Pandemisten and the longest standing resident of Het Pand talking on the speculative future of the site.

Image: Pandinisten archive

GHENT: HOW TO LIVE TOGETHER

This event is part of GHENT: HOW TO LIVE TOGETHER (A Season of Truth and Reconciliation), a project by artist Grace Ndiritu in the framework of Kunsthal Gent's Development Programme.

Grace Ndiritu examines how the site of the former Caermersklooster, where the interests of the different people and institutions who use or own the site are in conflict, can serve as a model for the practice of commoning. In collaboration with Jubilee.

2017 1 Archief Pandinisten

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