#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#65: No excuses: Thursday morning, team meeting.|#51: How do we invite the true unknown?|#10: Don’t be obsessed with numbers.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|#28: Make Contracts.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#39: Be the early stepping stone in an artist’s career|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#107: Build a community / scene.|#111: Do it together.|#26: More artists, less borders.|#19: Have fun at the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#65: No excuses: Thursday morning, team meeting.|#51: How do we invite the true unknown?|#10: Don’t be obsessed with numbers.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#44: No name tags at dinner.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#2: Bring something new to the city of Ghent.|#28: Make Contracts.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#39: Be the early stepping stone in an artist’s career|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#107: Build a community / scene.|#111: Do it together.|#26: More artists, less borders.|#19: Have fun at the exhibition.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|
