#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#137: Use the publication as programming space|#91: Embrace doubt.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#30: Don’t work with artists who are assholes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#55: Keep basic human needs on the forefront.|#112: Spaces today don’t need to be curated, but occupied.|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#137: Use the publication as programming space|#91: Embrace doubt.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#117: Consider design, organisational structures and architecture as programme.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#20: Are exhibitions the most suitable form for the art that we present?|#99: Evolve according to changing needs.|#81: Things come alive when there is friction.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#30: Don’t work with artists who are assholes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
