#82: Clean and sterile looks professional, but really boring.|#21: Live with the exhibition, spend time with it.|#30: Don’t work with artists who are assholes.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#28: Make Contracts.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#34: We pay artists.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#89: Build-in impurity within the organisation.|#26: More artists, less borders.|#82: Clean and sterile looks professional, but really boring.|#21: Live with the exhibition, spend time with it.|#30: Don’t work with artists who are assholes.|#17: An exhibition is never finished.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#59: Always protect the floor when painting (or pouring concrete)|#28: Make Contracts.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#51: How do we invite the true unknown?|#74: Last one out turns of the lights.|#84: The White Cube is a lie.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#34: We pay artists.|#132: Things will always look weird when you’re the first doing it.|#111: Do it together.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#89: Build-in impurity within the organisation.|#26: More artists, less borders.|
