#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#40: Follow the artist|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#111: Do it together.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#40: Follow the artist|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#111: Do it together.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|
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09.11.2019 20:30

Album presentation + Dogpeople

Pay what you can

Mathieu Serruys:
Skin/Glove

The time has come: 'Skin/Glove' by Mathieu Serruys will be released on record! We are celebrating this with a concert in the Kunsthal Gent cinema.

Mathieu Serruys made his debut in 2014 with 'On Germaine Dulac', a record characterized by cinematic and scenic tape loops and eroded synth parts. Five years later, his musical journey has crystallized into 'Skin/Glove', the long-awaited successor that will again be released on B.A.A.D.M..

Skin/Glove' builds on the physical intensity, grainy tape textures and emotional melodies of his debut. It forms a mature concept album that not only evokes his musical, but also his personal quest for self-realization in a poignant way.

Dogpeople is the band of Floris Hoorelbeke and Filip Brans. Classic kick-in-the-teeth noise for the enthusiasts!

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