#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#40: Follow the artist|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#111: Do it together.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#98: The success of it will not lie in the result but in the process.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#82: Clean and sterile looks professional, but really boring.|#107: Build a community / scene.|#94: No objections? Just do it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#40: Follow the artist|#56: Take a lunch break.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#111: Do it together.|#36: We support production separately.|#10: Don’t be obsessed with numbers.|#68: Once in a while we need to get out of utopia and get something done.|#35: The artist fee should be good.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|
