#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#99: Evolve according to changing needs.|#61: No all male install teams.|#14: Can you also remain a toddler institution?|#28: Make Contracts.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#92: We’re a learning organisation.|#4: Pay what you can.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#17: An exhibition is never finished.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#111: Do it together.|#6: Demand that visitors are active.|#127: Remain practical: what happens to the work in an endless exhibition?|#112: Spaces today don’t need to be curated, but occupied.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#99: Evolve according to changing needs.|#61: No all male install teams.|#14: Can you also remain a toddler institution?|#28: Make Contracts.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#92: We’re a learning organisation.|#4: Pay what you can.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#56: Take a lunch break.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#119: Be a space of production.|#17: An exhibition is never finished.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#111: Do it together.|#6: Demand that visitors are active.|#127: Remain practical: what happens to the work in an endless exhibition?|#112: Spaces today don’t need to be curated, but occupied.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#19: Have fun at the exhibition.|
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09.11.2019 20:30

Album presentation + Dogpeople

Pay what you can

Mathieu Serruys:
Skin/Glove

The time has come: 'Skin/Glove' by Mathieu Serruys will be released on record! We are celebrating this with a concert in the Kunsthal Gent cinema.

Mathieu Serruys made his debut in 2014 with 'On Germaine Dulac', a record characterized by cinematic and scenic tape loops and eroded synth parts. Five years later, his musical journey has crystallized into 'Skin/Glove', the long-awaited successor that will again be released on B.A.A.D.M..

Skin/Glove' builds on the physical intensity, grainy tape textures and emotional melodies of his debut. It forms a mature concept album that not only evokes his musical, but also his personal quest for self-realization in a poignant way.

Dogpeople is the band of Floris Hoorelbeke and Filip Brans. Classic kick-in-the-teeth noise for the enthusiasts!

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