#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#107: Build a community / scene.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#29: We make the program for the artist that we exhibit.|#15: Kunsthal Gent aims to be an extension of public space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#28: Make Contracts.|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#14: Can you also remain a toddler institution?|#111: Do it together.|#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#65: No excuses: Thursday morning, team meeting.|#132: Things will always look weird when you’re the first doing it.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#19: Have fun at the exhibition.|#107: Build a community / scene.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#54: What about disabled artists?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#29: We make the program for the artist that we exhibit.|#15: Kunsthal Gent aims to be an extension of public space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#28: Make Contracts.|#6: Demand that visitors are active.|#2: Bring something new to the city of Ghent.|#14: Can you also remain a toddler institution?|#111: Do it together.|
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27.10.2022 20:00

Host: artist Anna Püschel

Pay what you can

Syllabus platform:
Maybe. An Evening around Uncertainty.

In her second publication The Encyclopaedia of the Uncertain, artist Anna Püschel dives into the topic of doubt. How can we orient ourselves in a constantly evolving surrounding, and what is knowledge nowadays when we have all information at our fingertips, not knowing whether it is reliable or not? What does this mean for us? Which forms of knowledge are there, and how is it possible that some of them are more relied onto than others? What does it mean to search for our own personal truth?

Tonight Anna introduces you to her Encyclopaedia and the work process behind it, and invites you to a talk around knowledge, truth, doubt and connection.

For the realisation of the publication, Anna Püschel received a contribution from the Flemish Government. To complete the budget, a crowdfunding is currently underway.

Syllabus Platform

The circular space created by Jesse Jones' work Syllabus forms a platform within Kunsthal Gent for meetings and activities around Syllabus: reading groups, meetings of (activist) groups, a summer school... Keep an eye on the activity programme for the recent programme!

Crowdfunding visitekaartje template