#3: Entrance to all exhibitions at Kunsthal Gent is free.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#10: Don’t be obsessed with numbers.|#29: We make the program for the artist that we exhibit.|#14: Can you also remain a toddler institution?|#65: No excuses: Thursday morning, team meeting.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#137: Use the publication as programming space|#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#107: Build a community / scene.|#127: Remain practical: what happens to the work in an endless exhibition?|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#10: Don’t be obsessed with numbers.|#29: We make the program for the artist that we exhibit.|#14: Can you also remain a toddler institution?|#65: No excuses: Thursday morning, team meeting.|#34: We pay artists.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#137: Use the publication as programming space|#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#81: Things come alive when there is friction.|#107: Build a community / scene.|#127: Remain practical: what happens to the work in an endless exhibition?|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#82: Clean and sterile looks professional, but really boring.|#36: We support production separately.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|
