#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#56: Take a lunch break.|#17: An exhibition is never finished.|#21: Live with the exhibition, spend time with it.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#54: What about disabled artists?|#35: The artist fee should be good.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#92: We’re a learning organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#56: Take a lunch break.|#17: An exhibition is never finished.|#21: Live with the exhibition, spend time with it.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#29: We make the program for the artist that we exhibit.|#112: Spaces today don’t need to be curated, but occupied.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#54: What about disabled artists?|#35: The artist fee should be good.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#92: We’re a learning organisation.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|
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27.10.2022 20:00

Host: artist Anna Püschel

Pay what you can

Syllabus platform:
Maybe. An Evening around Uncertainty.

In her second publication The Encyclopaedia of the Uncertain, artist Anna Püschel dives into the topic of doubt. How can we orient ourselves in a constantly evolving surrounding, and what is knowledge nowadays when we have all information at our fingertips, not knowing whether it is reliable or not? What does this mean for us? Which forms of knowledge are there, and how is it possible that some of them are more relied onto than others? What does it mean to search for our own personal truth?

Tonight Anna introduces you to her Encyclopaedia and the work process behind it, and invites you to a talk around knowledge, truth, doubt and connection.

For the realisation of the publication, Anna Püschel received a contribution from the Flemish Government. To complete the budget, a crowdfunding is currently underway.

Syllabus Platform

The circular space created by Jesse Jones' work Syllabus forms a platform within Kunsthal Gent for meetings and activities around Syllabus: reading groups, meetings of (activist) groups, a summer school... Keep an eye on the activity programme for the recent programme!

Crowdfunding visitekaartje template