#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#30: Don’t work with artists who are assholes.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#17: An exhibition is never finished.|#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#30: Don’t work with artists who are assholes.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#17: An exhibition is never finished.|
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24.03.2020 19:00

open meeting / POSTPONED

Pay what you can

Engagement Gent:
meeting 24 maart

ATTENTION! All activities are postponed from 13.03 onwards.

Location: Kunsthal Gent
19:00 - 21:00h

Engagement Gent hosts another meeting to discuss, share and document sexism, racism, (sexual) harassment and power abuse within the art education and industry in Gent.
You are very welcome to bring others who might be interested.
The meetings are open to people of all genders, please let us know if you're coming by sending a mail to contact@engagementarts.

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