#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#30: Don’t work with artists who are assholes.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#17: An exhibition is never finished.|#20: Are exhibitions the most suitable form for the art that we present?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#16: Kunsthal Gent will always be a construction site.|#82: Clean and sterile looks professional, but really boring.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#30: Don’t work with artists who are assholes.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#17: An exhibition is never finished.|