#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#81: Things come alive when there is friction.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#4: Pay what you can.|#62: Be kind. Full dishwasher: empty it.|#16: Kunsthal Gent will always be a construction site.|#111: Do it together.|#36: We support production separately.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#19: Have fun at the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#94: No objections? Just do it.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#17: An exhibition is never finished.|#81: Things come alive when there is friction.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#4: Pay what you can.|#62: Be kind. Full dishwasher: empty it.|#16: Kunsthal Gent will always be a construction site.|#111: Do it together.|#36: We support production separately.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#112: Spaces today don’t need to be curated, but occupied.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#19: Have fun at the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#34: We pay artists.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#94: No objections? Just do it.|#51: How do we invite the true unknown?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|