#59: Always protect the floor when painting (or pouring concrete)|#10: Don’t be obsessed with numbers.|#37: Operate with radical transparency.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#4: Pay what you can.|#74: Last one out turns of the lights.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#17: An exhibition is never finished.|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#98: The success of it will not lie in the result but in the process.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|#92: We’re a learning organisation.|#59: Always protect the floor when painting (or pouring concrete)|#10: Don’t be obsessed with numbers.|#37: Operate with radical transparency.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#4: Pay what you can.|#74: Last one out turns of the lights.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#17: An exhibition is never finished.|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#98: The success of it will not lie in the result but in the process.|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#32: Be pan-gender polyphonic.|#62: Be kind. Full dishwasher: empty it.|#92: We’re a learning organisation.|