#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#16: Kunsthal Gent will always be a construction site.|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#35: The artist fee should be good.|#65: No excuses: Thursday morning, team meeting.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#68: Once in a while we need to get out of utopia and get something done.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|#119: Be a space of production.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#10: Don’t be obsessed with numbers.|#40: Follow the artist|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#39: Be the early stepping stone in an artist’s career|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#16: Kunsthal Gent will always be a construction site.|#21: Live with the exhibition, spend time with it.|#56: Take a lunch break.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#35: The artist fee should be good.|#65: No excuses: Thursday morning, team meeting.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#6: Demand that visitors are active.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#68: Once in a while we need to get out of utopia and get something done.|#84: The White Cube is a lie.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|
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04.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Michael Snow + Aglaia Konrad

Wavelength, Michael Snow

—CA, 1966-67, 45’, color, 16mm

Concrete & Samples II: Blockhaus, Aglaia Konrad

—BE, 2009, 9’50’’, color, silent, videotransfer van 16mm

Wavelength is exemplary of the Structural Cinema and the way it uses architecture to indicate the stability of the image and the passing of time and light. These aspects also play a role in Concrete & Samples by Aglaia Konrad, a series of films on organic and brutalistic architecture from the 1960s and 1970s.

Ticket: 8 euro / 5 euro reductie

Michael snow wavelength 1024x663