#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#124: Do less, do it better.|#98: The success of it will not lie in the result but in the process.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#62: Be kind. Full dishwasher: empty it.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#107: Build a community / scene.|#89: Build-in impurity within the organisation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#124: Do less, do it better.|#98: The success of it will not lie in the result but in the process.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#84: The White Cube is a lie.|#35: The artist fee should be good.|#28: Make Contracts.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#39: Be the early stepping stone in an artist’s career|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#20: Are exhibitions the most suitable form for the art that we present?|#62: Be kind. Full dishwasher: empty it.|#90: The best systems have a failure or ‘a hole’ in them…|#29: We make the program for the artist that we exhibit.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#68: Once in a while we need to get out of utopia and get something done.|#137: Use the publication as programming space|#107: Build a community / scene.|#89: Build-in impurity within the organisation.|
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04.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Michael Snow + Aglaia Konrad

Wavelength, Michael Snow

—CA, 1966-67, 45’, color, 16mm

Concrete & Samples II: Blockhaus, Aglaia Konrad

—BE, 2009, 9’50’’, color, silent, videotransfer van 16mm

Wavelength is exemplary of the Structural Cinema and the way it uses architecture to indicate the stability of the image and the passing of time and light. These aspects also play a role in Concrete & Samples by Aglaia Konrad, a series of films on organic and brutalistic architecture from the 1960s and 1970s.

Ticket: 8 euro / 5 euro reductie

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