#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#26: More artists, less borders.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#117: Consider design, organisational structures and architecture as programme.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#53: Immaterial support for artists is important.|#40: Follow the artist|#51: How do we invite the true unknown?|#55: Keep basic human needs on the forefront.|#84: The White Cube is a lie.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#21: Live with the exhibition, spend time with it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#4: Pay what you can.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#65: No excuses: Thursday morning, team meeting.|#112: Spaces today don’t need to be curated, but occupied.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#26: More artists, less borders.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#117: Consider design, organisational structures and architecture as programme.|#2: Bring something new to the city of Ghent.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#32: Be pan-gender polyphonic.|#53: Immaterial support for artists is important.|#40: Follow the artist|#51: How do we invite the true unknown?|#55: Keep basic human needs on the forefront.|#84: The White Cube is a lie.|#119: Be a space of production.|#105: Kunsthal Gent is local in scale, but globally connected.|#111: Do it together.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#21: Live with the exhibition, spend time with it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#4: Pay what you can.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#65: No excuses: Thursday morning, team meeting.|
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04.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Michael Snow + Aglaia Konrad

Wavelength, Michael Snow

—CA, 1966-67, 45’, color, 16mm

Concrete & Samples II: Blockhaus, Aglaia Konrad

—BE, 2009, 9’50’’, color, silent, videotransfer van 16mm

Wavelength is exemplary of the Structural Cinema and the way it uses architecture to indicate the stability of the image and the passing of time and light. These aspects also play a role in Concrete & Samples by Aglaia Konrad, a series of films on organic and brutalistic architecture from the 1960s and 1970s.

Ticket: 8 euro / 5 euro reductie

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