#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#62: Be kind. Full dishwasher: empty it.|#112: Spaces today don’t need to be curated, but occupied.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#16: Kunsthal Gent will always be a construction site.|#132: Things will always look weird when you’re the first doing it.|#98: The success of it will not lie in the result but in the process.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#15: Kunsthal Gent aims to be an extension of public space.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#14: Can you also remain a toddler institution?|#10: Don’t be obsessed with numbers.|#62: Be kind. Full dishwasher: empty it.|#112: Spaces today don’t need to be curated, but occupied.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#107: Build a community / scene.|#16: Kunsthal Gent will always be a construction site.|#132: Things will always look weird when you’re the first doing it.|#98: The success of it will not lie in the result but in the process.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#28: Make Contracts.|#29: We make the program for the artist that we exhibit.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#15: Kunsthal Gent aims to be an extension of public space.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|
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04.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Michael Snow + Aglaia Konrad

Wavelength, Michael Snow

—CA, 1966-67, 45’, color, 16mm

Concrete & Samples II: Blockhaus, Aglaia Konrad

—BE, 2009, 9’50’’, color, silent, videotransfer van 16mm

Wavelength is exemplary of the Structural Cinema and the way it uses architecture to indicate the stability of the image and the passing of time and light. These aspects also play a role in Concrete & Samples by Aglaia Konrad, a series of films on organic and brutalistic architecture from the 1960s and 1970s.

Ticket: 8 euro / 5 euro reductie

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