#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#119: Be a space of production.|#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#19: Have fun at the exhibition.|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|#32: Be pan-gender polyphonic.|#54: What about disabled artists?|#17: An exhibition is never finished.|#89: Build-in impurity within the organisation.|#92: We’re a learning organisation.|#65: No excuses: Thursday morning, team meeting.|#21: Live with the exhibition, spend time with it.|#37: Operate with radical transparency.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#119: Be a space of production.|#56: Take a lunch break.|#39: Be the early stepping stone in an artist’s career|#91: Embrace doubt.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#19: Have fun at the exhibition.|#35: The artist fee should be good.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#55: Keep basic human needs on the forefront.|
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29.10.2019 18:30

debate

Pay what you can

LUCA school of arts presents:
MINIMA DOCTA - DEBAT

MINIMA DOCTA - DEBATE

turkye and thailand: THE AUTHORITARIAN EXAMPLES NOT TO FOLLOW
sara fabbri & CLAUDIO SOPRANZETTI 'Il re di bangkok' (graphic novel)
ece temelkuran 'how to loose a country' (NON FICTION)

moderator: Jeroen Laureyns

Kunsthal Gent, 18:30-20:30
English spoken


Modern art comes into being at the moment when the artist decides no longer to serve power, but to contradict it. This was the case in the 19th century when the French artist Honoré Daumier took on the French king in a cartoon and went to prison.

This is still the case today, when a writer (Claudio Sopranzetti) and an illustrator (Sara Fabbri), in their graphic novel 'Il Re di Bangkok', take up arms against the military dictatorship in Thailand that follows and murders its opponents abroad. Claudio and Sara explain this dramatic recent Thai history and how they have established this collaboration between an academic writer and an illustrator.

In the second part of the evening the Turkish writer Ece Temelkuran will also be a guest. In her book 'Verloren Land' (Lost Land) she explains how each country can slide from a democracy to a dictatorship in seven steps. Finally, our three guests of this evening will enter into a dialogue with each other.

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