#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#30: Don’t work with artists who are assholes.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#16: Kunsthal Gent will always be a construction site.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#36: We support production separately.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#4: Pay what you can.|#62: Be kind. Full dishwasher: empty it.|#44: No name tags at dinner.|#35: The artist fee should be good.|#26: More artists, less borders.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#29: We make the program for the artist that we exhibit.|#30: Don’t work with artists who are assholes.|#90: The best systems have a failure or ‘a hole’ in them…|#68: Once in a while we need to get out of utopia and get something done.|#16: Kunsthal Gent will always be a construction site.|#81: Things come alive when there is friction.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#36: We support production separately.|#64: Arrange a distribution of forces.|#14: Can you also remain a toddler institution?|#39: Be the early stepping stone in an artist’s career|#65: No excuses: Thursday morning, team meeting.|#19: Have fun at the exhibition.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#4: Pay what you can.|#62: Be kind. Full dishwasher: empty it.|#44: No name tags at dinner.|#35: The artist fee should be good.|#26: More artists, less borders.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#127: Remain practical: what happens to the work in an endless exhibition?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|
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29.10.2019 18:30

debate

Pay what you can

LUCA school of arts presents:
MINIMA DOCTA - DEBAT

MINIMA DOCTA - DEBATE

turkye and thailand: THE AUTHORITARIAN EXAMPLES NOT TO FOLLOW
sara fabbri & CLAUDIO SOPRANZETTI 'Il re di bangkok' (graphic novel)
ece temelkuran 'how to loose a country' (NON FICTION)

moderator: Jeroen Laureyns

Kunsthal Gent, 18:30-20:30
English spoken


Modern art comes into being at the moment when the artist decides no longer to serve power, but to contradict it. This was the case in the 19th century when the French artist Honoré Daumier took on the French king in a cartoon and went to prison.

This is still the case today, when a writer (Claudio Sopranzetti) and an illustrator (Sara Fabbri), in their graphic novel 'Il Re di Bangkok', take up arms against the military dictatorship in Thailand that follows and murders its opponents abroad. Claudio and Sara explain this dramatic recent Thai history and how they have established this collaboration between an academic writer and an illustrator.

In the second part of the evening the Turkish writer Ece Temelkuran will also be a guest. In her book 'Verloren Land' (Lost Land) she explains how each country can slide from a democracy to a dictatorship in seven steps. Finally, our three guests of this evening will enter into a dialogue with each other.

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