#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#6: Demand that visitors are active.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#14: Can you also remain a toddler institution?|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#15: Kunsthal Gent aims to be an extension of public space.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#6: Demand that visitors are active.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#14: Can you also remain a toddler institution?|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#15: Kunsthal Gent aims to be an extension of public space.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|
