#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#65: No excuses: Thursday morning, team meeting.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#40: Follow the artist|#26: More artists, less borders.|#90: The best systems have a failure or ‘a hole’ in them…|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#34: We pay artists.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#92: We’re a learning organisation.|#4: Pay what you can.|#105: Kunsthal Gent is local in scale, but globally connected.|#20: Are exhibitions the most suitable form for the art that we present?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#37: Operate with radical transparency.|#65: No excuses: Thursday morning, team meeting.|#81: Things come alive when there is friction.|#44: No name tags at dinner.|#40: Follow the artist|#26: More artists, less borders.|#90: The best systems have a failure or ‘a hole’ in them…|#84: The White Cube is a lie.|#68: Once in a while we need to get out of utopia and get something done.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#34: We pay artists.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#92: We’re a learning organisation.|#4: Pay what you can.|#105: Kunsthal Gent is local in scale, but globally connected.|#20: Are exhibitions the most suitable form for the art that we present?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#137: Use the publication as programming space|
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11.08.2019 19:30

Concept: Lieselotte Egtberts / Performer: Maïthé Truyens

Pay what you can

Alternative Tour:
Monologue Intérieur

Monologue Intérieur: an alternative tour of the former Carmelite monastery

In the midst of the festivities during the Paterhol Festival, Lieselotte Egtberts invites you to Monologue Intérieur: a wandering walk through the spaces of Kunsthal Gent. This alternative tour is like a restless contemplation that is moving through the former monastery, conceived and written especially for Kunsthal Gent by Lieselotte Egtberts (participant KASK Curatorial Studies 2018-2019*). Performer Maïthé Truyens (Performance student at KASK) will take a small group of visitors through the buildings. We will move from inside to outside, from noise to silence, from isolation to immersion, from fact to story.

Sunday August 11, 19:30
Start: at the reception of Kunsthal Gent - duration: ±30 min - language: Dutch
Maximum 15 participants - exceptionally not accessible to wheelchair users

Concept: Lieselotte Egtberts
Performer: Maïthé Truyens

Thanks to:
Samuel Saelemakers and Antony Hudek (Curatorial Studies, KASK), Trees Coene and Roger Van Bockstaele (Koninklijke Dekenij Patershol).

* The postgraduate course Curatorial Studies (KASK) is a structural partner of Kunsthal Gent.

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