#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#6: Demand that visitors are active.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#14: Can you also remain a toddler institution?|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#15: Kunsthal Gent aims to be an extension of public space.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|#90: The best systems have a failure or ‘a hole’ in them…|#119: Be a space of production.|#6: Demand that visitors are active.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#26: More artists, less borders.|#14: Can you also remain a toddler institution?|#34: We pay artists.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#15: Kunsthal Gent aims to be an extension of public space.|#30: Don’t work with artists who are assholes.|#28: Make Contracts.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#82: Clean and sterile looks professional, but really boring.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#59: Always protect the floor when painting (or pouring concrete)|
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11.08.2019 19:30

Concept: Lieselotte Egtberts / Performer: Maïthé Truyens

Pay what you can

Alternative Tour:
Monologue Intérieur

Monologue Intérieur: an alternative tour of the former Carmelite monastery

In the midst of the festivities during the Paterhol Festival, Lieselotte Egtberts invites you to Monologue Intérieur: a wandering walk through the spaces of Kunsthal Gent. This alternative tour is like a restless contemplation that is moving through the former monastery, conceived and written especially for Kunsthal Gent by Lieselotte Egtberts (participant KASK Curatorial Studies 2018-2019*). Performer Maïthé Truyens (Performance student at KASK) will take a small group of visitors through the buildings. We will move from inside to outside, from noise to silence, from isolation to immersion, from fact to story.

Sunday August 11, 19:30
Start: at the reception of Kunsthal Gent - duration: ±30 min - language: Dutch
Maximum 15 participants - exceptionally not accessible to wheelchair users

Concept: Lieselotte Egtberts
Performer: Maïthé Truyens

Thanks to:
Samuel Saelemakers and Antony Hudek (Curatorial Studies, KASK), Trees Coene and Roger Van Bockstaele (Koninklijke Dekenij Patershol).

* The postgraduate course Curatorial Studies (KASK) is a structural partner of Kunsthal Gent.

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