#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#65: No excuses: Thursday morning, team meeting.|#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#81: Things come alive when there is friction.|#89: Build-in impurity within the organisation.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#28: Make Contracts.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#99: Evolve according to changing needs.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#94: No objections? Just do it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#65: No excuses: Thursday morning, team meeting.|#54: What about disabled artists?|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#81: Things come alive when there is friction.|#89: Build-in impurity within the organisation.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#74: Last one out turns of the lights.|#53: Immaterial support for artists is important.|#28: Make Contracts.|#20: Are exhibitions the most suitable form for the art that we present?|#21: Live with the exhibition, spend time with it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#29: We make the program for the artist that we exhibit.|#99: Evolve according to changing needs.|
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11.08.2019 19:30

Concept: Lieselotte Egtberts / Performer: Maïthé Truyens

Pay what you can

Alternative Tour:
Monologue Intérieur

Monologue Intérieur: an alternative tour of the former Carmelite monastery

In the midst of the festivities during the Paterhol Festival, Lieselotte Egtberts invites you to Monologue Intérieur: a wandering walk through the spaces of Kunsthal Gent. This alternative tour is like a restless contemplation that is moving through the former monastery, conceived and written especially for Kunsthal Gent by Lieselotte Egtberts (participant KASK Curatorial Studies 2018-2019*). Performer Maïthé Truyens (Performance student at KASK) will take a small group of visitors through the buildings. We will move from inside to outside, from noise to silence, from isolation to immersion, from fact to story.

Sunday August 11, 19:30
Start: at the reception of Kunsthal Gent - duration: ±30 min - language: Dutch
Maximum 15 participants - exceptionally not accessible to wheelchair users

Concept: Lieselotte Egtberts
Performer: Maïthé Truyens

Thanks to:
Samuel Saelemakers and Antony Hudek (Curatorial Studies, KASK), Trees Coene and Roger Van Bockstaele (Koninklijke Dekenij Patershol).

* The postgraduate course Curatorial Studies (KASK) is a structural partner of Kunsthal Gent.

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