#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#64: Arrange a distribution of forces.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#111: Do it together.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#84: The White Cube is a lie.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#98: The success of it will not lie in the result but in the process.|#40: Follow the artist|#68: Once in a while we need to get out of utopia and get something done.|#6: Demand that visitors are active.|#34: We pay artists.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#4: Pay what you can.|#29: We make the program for the artist that we exhibit.|#64: Arrange a distribution of forces.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#35: The artist fee should be good.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#17: An exhibition is never finished.|#111: Do it together.|#92: We’re a learning organisation.|#44: No name tags at dinner.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#84: The White Cube is a lie.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#98: The success of it will not lie in the result but in the process.|#40: Follow the artist|#68: Once in a while we need to get out of utopia and get something done.|#6: Demand that visitors are active.|#34: We pay artists.|
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11.08.2019 19:30

Concept: Lieselotte Egtberts / Performer: Maïthé Truyens

Pay what you can

Alternative Tour:
Monologue Intérieur

Monologue Intérieur: an alternative tour of the former Carmelite monastery

In the midst of the festivities during the Paterhol Festival, Lieselotte Egtberts invites you to Monologue Intérieur: a wandering walk through the spaces of Kunsthal Gent. This alternative tour is like a restless contemplation that is moving through the former monastery, conceived and written especially for Kunsthal Gent by Lieselotte Egtberts (participant KASK Curatorial Studies 2018-2019*). Performer Maïthé Truyens (Performance student at KASK) will take a small group of visitors through the buildings. We will move from inside to outside, from noise to silence, from isolation to immersion, from fact to story.

Sunday August 11, 19:30
Start: at the reception of Kunsthal Gent - duration: ±30 min - language: Dutch
Maximum 15 participants - exceptionally not accessible to wheelchair users

Concept: Lieselotte Egtberts
Performer: Maïthé Truyens

Thanks to:
Samuel Saelemakers and Antony Hudek (Curatorial Studies, KASK), Trees Coene and Roger Van Bockstaele (Koninklijke Dekenij Patershol).

* The postgraduate course Curatorial Studies (KASK) is a structural partner of Kunsthal Gent.

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