#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#39: Be the early stepping stone in an artist’s career|#119: Be a space of production.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#111: Do it together.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#10: Don’t be obsessed with numbers.|#56: Take a lunch break.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#107: Build a community / scene.|#28: Make Contracts.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#39: Be the early stepping stone in an artist’s career|#119: Be a space of production.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#112: Spaces today don’t need to be curated, but occupied.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#111: Do it together.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#62: Be kind. Full dishwasher: empty it.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|
