#89: Build-in impurity within the organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#14: Can you also remain a toddler institution?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#10: Don’t be obsessed with numbers.|#44: No name tags at dinner.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#99: Evolve according to changing needs.|#127: Remain practical: what happens to the work in an endless exhibition?|#89: Build-in impurity within the organisation.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#14: Can you also remain a toddler institution?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#62: Be kind. Full dishwasher: empty it.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#137: Use the publication as programming space|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#10: Don’t be obsessed with numbers.|#44: No name tags at dinner.|#68: Once in a while we need to get out of utopia and get something done.|#90: The best systems have a failure or ‘a hole’ in them…|#39: Be the early stepping stone in an artist’s career|#99: Evolve according to changing needs.|#127: Remain practical: what happens to the work in an endless exhibition?|
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15.11.2019 20:00

Pay what you can

Art cinema OFFoff presents:
Moving Word

Moving Word presents a multidisciplinary programme of artistic experimentation. Expect anything from video to performance, sound art to sculpture. On November 15 the theme is 'the body', which the participating artists may interpret or ignore as they wish. Pay what you want and stay for a drink after. With among others: Anton Cla & Casimir Desmet, Clara Spilliaert, Hanne van Dyck, Annelein Pompe, Nergiz Dukan, Dominique de Groen, Koen Blauwblommen, Victor Lauwers & Thomas De Geyter.

Tickets: free contribution

For more information: https://offoff.be/events/moving-word/

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