#29: We make the program for the artist that we exhibit.|#16: Kunsthal Gent will always be a construction site.|#84: The White Cube is a lie.|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#92: We’re a learning organisation.|#56: Take a lunch break.|#17: An exhibition is never finished.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#74: Last one out turns of the lights.|#34: We pay artists.|#82: Clean and sterile looks professional, but really boring.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#29: We make the program for the artist that we exhibit.|#16: Kunsthal Gent will always be a construction site.|#84: The White Cube is a lie.|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#92: We’re a learning organisation.|#56: Take a lunch break.|#17: An exhibition is never finished.|#6: Demand that visitors are active.|#64: Arrange a distribution of forces.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#74: Last one out turns of the lights.|#34: We pay artists.|#82: Clean and sterile looks professional, but really boring.|#54: What about disabled artists?|#20: Are exhibitions the most suitable form for the art that we present?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#37: Operate with radical transparency.|#68: Once in a while we need to get out of utopia and get something done.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|
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15.11.2019 20:00

Pay what you can

Art cinema OFFoff presents:
Moving Word

Moving Word presents a multidisciplinary programme of artistic experimentation. Expect anything from video to performance, sound art to sculpture. On November 15 the theme is 'the body', which the participating artists may interpret or ignore as they wish. Pay what you want and stay for a drink after. With among others: Anton Cla & Casimir Desmet, Clara Spilliaert, Hanne van Dyck, Annelein Pompe, Nergiz Dukan, Dominique de Groen, Koen Blauwblommen, Victor Lauwers & Thomas De Geyter.

Tickets: free contribution

For more information: https://offoff.be/events/moving-word/

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