#21: Live with the exhibition, spend time with it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#62: Be kind. Full dishwasher: empty it.|#92: We’re a learning organisation.|#91: Embrace doubt.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#61: No all male install teams.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#64: Arrange a distribution of forces.|#35: The artist fee should be good.|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#21: Live with the exhibition, spend time with it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#82: Clean and sterile looks professional, but really boring.|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#62: Be kind. Full dishwasher: empty it.|#92: We’re a learning organisation.|#91: Embrace doubt.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#61: No all male install teams.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#112: Spaces today don’t need to be curated, but occupied.|#65: No excuses: Thursday morning, team meeting.|#64: Arrange a distribution of forces.|#35: The artist fee should be good.|#90: The best systems have a failure or ‘a hole’ in them…|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
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01—02.12.2022 18:00

Performance

Pay what you can

Museumnacht

Finally a full-fledged edition of Museum Night. Immerse yourself for free from 18:00 to 01:00 in all the art and heritage Ghent has to offer. On the programme: exhibitions, performances, music, signing sessions, macramé, vulva drawing and much more.

3 times during Museum Night Nein organises a performance loop where circus, music and movement are given a prominent place. The loop starts at 20:00, 21:00 and 22:00 and shows the work of Bastien Dausse, Milou van Duijnhoven, Sergeant and Elias Devoldere.

Bascule 5 Marc Lahore
Programme

Bastien Dausse - Compagnie Barks
Moon is a constellation of small anti-gravity forms. A mechanical and organic exhibition, in the image of our universe, in constant evolution, to be explored and contemplated. Between whimsical inventions and impossible acrobatics, it is a search for variation of gravity, a form of farewell to our weight, it is my way of altering space and time.

Milou van Duijnhoven - 'soft sticky stamina song'
Milou van Duijnhoven studied Performance at the Maastricht Drama Academy and Choreography at the School for New Dance Development in Amsterdam. Since then she has been working as a dancer, performer, choreographer and martial artist in her own work and in the work of others. Her artistic practice is based on the sensuality of voice and movement. In her ongoing research 'soft sticky stamina song' she explores the power of dancing a song and singing a dance by holding two large stones.

Sergeant
Combining a derailed actor and a composing cineast, Sergeant leaks his Brussels brain flow in a meticulous montaged soup. The cries and coos blow up into choir and break up again into space, ever search-singing the frequencies of daily life on planet earth. Dating kraut and some 00s stuff, Sergeant's music is a postmodern cry into the abyss of pop.

Elias Devoldere
Elias Devoldere is not only one of the most ingenious drummers on the Belgian music scene, but in recent years he has also proved himself as a songwriter, composer, singer and producer. We got to know Elias as a drummer with Nordmann, Robbing Millions and Hypochristmutreefuzz, among others.

Besides temporary exhibitions of Pei-Hsuan Wang & Ben Benaouisse, there will also be work by Martin Belou, Bram de Jonghe, Eva Fàbregas, Olivier Goethals, Rudi Guedj, Jesse Jones, Felix Kindermann, Prem Krishnamurthy, Femmy Otten, Egon Van Herreweghe & Thomas Min, Thomas Renwart, Charlotte Stuby, Joëlle Tuerlinckx & Steve Van den Bosch.

Sheela's - the new bar designed by Theo De Meyer and Olivier Goethals - will also be open that evening.

Museumnacht