#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#111: Do it together.|#112: Spaces today don’t need to be curated, but occupied.|#89: Build-in impurity within the organisation.|#124: Do less, do it better.|#40: Follow the artist|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#55: Keep basic human needs on the forefront.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#107: Build a community / scene.|#54: What about disabled artists?|#26: More artists, less borders.|#94: No objections? Just do it.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#132: Things will always look weird when you’re the first doing it.|#56: Take a lunch break.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#111: Do it together.|#112: Spaces today don’t need to be curated, but occupied.|#89: Build-in impurity within the organisation.|#124: Do less, do it better.|#40: Follow the artist|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#20: Are exhibitions the most suitable form for the art that we present?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#55: Keep basic human needs on the forefront.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#107: Build a community / scene.|#54: What about disabled artists?|#26: More artists, less borders.|#94: No objections? Just do it.|#65: No excuses: Thursday morning, team meeting.|
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07.02.2020 20:00

book launch

Pay what you can

Posture Editions presents:
Nikolaas Demoen — Labyrinth

Posture Editions presents:
Nikolaas Demoen — Labyrinth book launch
07/02/20 — 8pm

Labyrinth takes us on a walk through the spaces constructed within the pages of the book and visualises a world in which the exit can’t be found. With the morphology of the house (windows, doors, steps and curtains) and the theatre (curtains, stage, perspective), a world is evoked in which nothing can serve as a point of reference. The experience is similar to surfing on the internet, scrolling through instagram, unfolding the gallery map of Art Brussels or shopping in a French supermarket.
All images in the book are woodcuts. Christophe Van Gerrewey has written a text that actually creates an imbroglio. The entire book is printed in letterpress.

The launch of Labyrinth coincides with the presentation of 'Papers, Books and Bolero'*, a new film by Nikolaas Demoen.



*The film 'Papers, Books and Bolero' is a dialogue between French philosophers, fictionalized in cardboard, and found images in books and miscellaneous documents; it suggests in fact a possible relation between the different images. The film features on the one hand works belonging to the history of art (Tiepolo, Palladio,...) and on the other hand images from glossy magazines (Purple Fashion, Vogue). Both very different sources are linked through sculptural artefacts made from cardboard and clay.
On the rhythm of Maurice Ravel’s Bolero, one by one the papers and books appear, gradually intoxicating the audience’s senses.

Papers, Books and Bolero, 2020, 16 x 9, 7:02 min.
in collaboration with Christophe Albertijn
Music: Maurice Ravel, Bolero, conducted by Lorin Maazel

Nikolaas Demoen is a visual artist and publisher, based in Ghent, Belgium. In his work he explores the relationship between modern culture and the tradition of beauty in the arts, and how the individual human being is constantly crossing these artificial borders.

NIKOLAAS

IMAGES
Postkaart labyrinth