#32: Be pan-gender polyphonic.|#111: Do it together.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|#32: Be pan-gender polyphonic.|#111: Do it together.|#35: The artist fee should be good.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#14: Can you also remain a toddler institution?|#21: Live with the exhibition, spend time with it.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#61: No all male install teams.|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#56: Take a lunch break.|#74: Last one out turns of the lights.|#19: Have fun at the exhibition.|#65: No excuses: Thursday morning, team meeting.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#26: More artists, less borders.|
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07.02.2020 20:00

book launch

Pay what you can

Posture Editions presents:
Nikolaas Demoen — Labyrinth

Posture Editions presents:
Nikolaas Demoen — Labyrinth book launch
07/02/20 — 8pm

Labyrinth takes us on a walk through the spaces constructed within the pages of the book and visualises a world in which the exit can’t be found. With the morphology of the house (windows, doors, steps and curtains) and the theatre (curtains, stage, perspective), a world is evoked in which nothing can serve as a point of reference. The experience is similar to surfing on the internet, scrolling through instagram, unfolding the gallery map of Art Brussels or shopping in a French supermarket.
All images in the book are woodcuts. Christophe Van Gerrewey has written a text that actually creates an imbroglio. The entire book is printed in letterpress.

The launch of Labyrinth coincides with the presentation of 'Papers, Books and Bolero'*, a new film by Nikolaas Demoen.



*The film 'Papers, Books and Bolero' is a dialogue between French philosophers, fictionalized in cardboard, and found images in books and miscellaneous documents; it suggests in fact a possible relation between the different images. The film features on the one hand works belonging to the history of art (Tiepolo, Palladio,...) and on the other hand images from glossy magazines (Purple Fashion, Vogue). Both very different sources are linked through sculptural artefacts made from cardboard and clay.
On the rhythm of Maurice Ravel’s Bolero, one by one the papers and books appear, gradually intoxicating the audience’s senses.

Papers, Books and Bolero, 2020, 16 x 9, 7:02 min.
in collaboration with Christophe Albertijn
Music: Maurice Ravel, Bolero, conducted by Lorin Maazel

Nikolaas Demoen is a visual artist and publisher, based in Ghent, Belgium. In his work he explores the relationship between modern culture and the tradition of beauty in the arts, and how the individual human being is constantly crossing these artificial borders.

NIKOLAAS

IMAGES
Postkaart labyrinth