#20: Are exhibitions the most suitable form for the art that we present?|#36: We support production separately.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#137: Use the publication as programming space|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#94: No objections? Just do it.|#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#6: Demand that visitors are active.|#91: Embrace doubt.|#74: Last one out turns of the lights.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|#20: Are exhibitions the most suitable form for the art that we present?|#36: We support production separately.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#21: Live with the exhibition, spend time with it.|#137: Use the publication as programming space|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#32: Be pan-gender polyphonic.|#59: Always protect the floor when painting (or pouring concrete)|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#14: Can you also remain a toddler institution?|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#94: No objections? Just do it.|#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#6: Demand that visitors are active.|#91: Embrace doubt.|#74: Last one out turns of the lights.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#68: Once in a while we need to get out of utopia and get something done.|#53: Immaterial support for artists is important.|#26: More artists, less borders.|