#84: The White Cube is a lie.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#28: Make Contracts.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#111: Do it together.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#17: An exhibition is never finished.|#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#14: Can you also remain a toddler institution?|#91: Embrace doubt.|#84: The White Cube is a lie.|#32: Be pan-gender polyphonic.|#15: Kunsthal Gent aims to be an extension of public space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#28: Make Contracts.|#20: Are exhibitions the most suitable form for the art that we present?|#61: No all male install teams.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#112: Spaces today don’t need to be curated, but occupied.|#124: Do less, do it better.|#111: Do it together.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#17: An exhibition is never finished.|#107: Build a community / scene.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#94: No objections? Just do it.|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#14: Can you also remain a toddler institution?|#91: Embrace doubt.|
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14.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
NY underground: Smith versus Rubin

Flaming Creatures, Jack Smith
—US, 1962, 45', black-white, HD-transfer from 16mm


Christmas on Earth, Barbara Rubin
—US, 1963, 30’, getint, HD-transfer from 16mm

Barbara Rubin introduced Bob Dylan to Allen Ginsberg, The Velvet Underground to Andy Warhol and Knokke-Zoute to Jack Smith's scandalous Flaming Creatures. At the age of seventeen she filmed Christmas on Earth, hailed by Mekas as 'down to earth beauty, so real as only a terrible beauty can be'.

I.s.m. Film Fest Gent

Tickets: 8 euro / 5 euro (reductie)

For more information:
https://offoff.be/events/ny-underground-smith-versus-rubin/

Christmas on Earth 768x576