#137: Use the publication as programming space|#4: Pay what you can.|#81: Things come alive when there is friction.|#107: Build a community / scene.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#19: Have fun at the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|#137: Use the publication as programming space|#4: Pay what you can.|#81: Things come alive when there is friction.|#107: Build a community / scene.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#68: Once in a while we need to get out of utopia and get something done.|#59: Always protect the floor when painting (or pouring concrete)|#2: Bring something new to the city of Ghent.|#19: Have fun at the exhibition.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|#53: Immaterial support for artists is important.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#40: Follow the artist|#6: Demand that visitors are active.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|
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14.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
NY underground: Smith versus Rubin

Flaming Creatures, Jack Smith
—US, 1962, 45', black-white, HD-transfer from 16mm


Christmas on Earth, Barbara Rubin
—US, 1963, 30’, getint, HD-transfer from 16mm

Barbara Rubin introduced Bob Dylan to Allen Ginsberg, The Velvet Underground to Andy Warhol and Knokke-Zoute to Jack Smith's scandalous Flaming Creatures. At the age of seventeen she filmed Christmas on Earth, hailed by Mekas as 'down to earth beauty, so real as only a terrible beauty can be'.

I.s.m. Film Fest Gent

Tickets: 8 euro / 5 euro (reductie)

For more information:
https://offoff.be/events/ny-underground-smith-versus-rubin/

Christmas on Earth 768x576