#124: Do less, do it better.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#28: Make Contracts.|#137: Use the publication as programming space|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|#55: Keep basic human needs on the forefront.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#56: Take a lunch break.|#65: No excuses: Thursday morning, team meeting.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#119: Be a space of production.|#91: Embrace doubt.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#68: Once in a while we need to get out of utopia and get something done.|#105: Kunsthal Gent is local in scale, but globally connected.|#28: Make Contracts.|#137: Use the publication as programming space|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#10: Don’t be obsessed with numbers.|#55: Keep basic human needs on the forefront.|#17: An exhibition is never finished.|#99: Evolve according to changing needs.|#56: Take a lunch break.|#65: No excuses: Thursday morning, team meeting.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#62: Be kind. Full dishwasher: empty it.|#119: Be a space of production.|#91: Embrace doubt.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#84: The White Cube is a lie.|#111: Do it together.|#127: Remain practical: what happens to the work in an endless exhibition?|
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14.10.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
NY underground: Smith versus Rubin

Flaming Creatures, Jack Smith
—US, 1962, 45', black-white, HD-transfer from 16mm


Christmas on Earth, Barbara Rubin
—US, 1963, 30’, getint, HD-transfer from 16mm

Barbara Rubin introduced Bob Dylan to Allen Ginsberg, The Velvet Underground to Andy Warhol and Knokke-Zoute to Jack Smith's scandalous Flaming Creatures. At the age of seventeen she filmed Christmas on Earth, hailed by Mekas as 'down to earth beauty, so real as only a terrible beauty can be'.

I.s.m. Film Fest Gent

Tickets: 8 euro / 5 euro (reductie)

For more information:
https://offoff.be/events/ny-underground-smith-versus-rubin/

Christmas on Earth 768x576