#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#124: Do less, do it better.|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#28: Make Contracts.|#10: Don’t be obsessed with numbers.|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#111: Do it together.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#51: How do we invite the true unknown?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#64: Arrange a distribution of forces.|#29: We make the program for the artist that we exhibit.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#124: Do less, do it better.|#55: Keep basic human needs on the forefront.|#35: The artist fee should be good.|#28: Make Contracts.|#10: Don’t be obsessed with numbers.|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#111: Do it together.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#137: Use the publication as programming space|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#51: How do we invite the true unknown?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#39: Be the early stepping stone in an artist’s career|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#21: Live with the exhibition, spend time with it.|#61: No all male install teams.|#64: Arrange a distribution of forces.|