#98: The success of it will not lie in the result but in the process.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#30: Don’t work with artists who are assholes.|#90: The best systems have a failure or ‘a hole’ in them…|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#62: Be kind. Full dishwasher: empty it.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#64: Arrange a distribution of forces.|#119: Be a space of production.|#17: An exhibition is never finished.|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#98: The success of it will not lie in the result but in the process.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#81: Things come alive when there is friction.|#127: Remain practical: what happens to the work in an endless exhibition?|#91: Embrace doubt.|#39: Be the early stepping stone in an artist’s career|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#112: Spaces today don’t need to be curated, but occupied.|#32: Be pan-gender polyphonic.|#30: Don’t work with artists who are assholes.|#90: The best systems have a failure or ‘a hole’ in them…|#56: Take a lunch break.|#16: Kunsthal Gent will always be a construction site.|#62: Be kind. Full dishwasher: empty it.|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#64: Arrange a distribution of forces.|#119: Be a space of production.|#17: An exhibition is never finished.|#111: Do it together.|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|
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29.06.2021 20:00

Concert

Price: € 5

B.A.A.D.M. presenteert:
Opéra Mort + Heleen Van Haegenborgh & Tomma Wessel

Limited audience! RESERVATION REQUIRED!
Admission: €5/€3

> TICKETS: mail to info@baadm.org.
If you don’t come alone, please mention if you want a bubble of 2, 3 or 4 persons, and their names. In a confirmation email, we will ask you to pay for your tickets in advance.

Opéra Mort

Èlg (BE) en Fusiller (FR) vormen samen het muzikaal duo Opéra Mort, dat zich graag verliest in weerbarstige, surreële en koortsachtige electronica en avant-garde. Zowel samen, solo of via diverse samenwerkingen (o.a. met Ghedalia Tazartès) legden ze reeds een impressionant parcours af met uitgaven op labels als Alter, Kraak, Nashazphone, Three:four Records, Hundebiss, of uitgaven in eigen beheer. Hun live-shows zijn steeds hoogst immersieve ervaringen, zoals het ijzersterke concert dat ze in 2017 op uitnodiging van B.A.A.D.M. brachten in AB Salon, en waarvan de opname nu op 6 mei in Kunsthal gepresenteerd wordt als gelimiteerde tape-release.

Heleen Van Haegenborgh

Met als basis haar studies aan de Koninklijke Conservatoria van Gent en Brussel ontwikkelde pianiste Heleen Van Haegenborgh (BE) een meerledige praktijk die haar op de meest diverse podia brengt, zowel over muziekgenres heen als over de grenzen van disciplines. Ze werkt vaak samen, zowel met andere muzikanten (Jürgen De Blonde, Lander Gyselinck, Kristof Rosseeuw, …) als met beeldende kunstenaars, filmmakers en theatermakers. Als componiste bestrijkt ze een breed spectrum, dat reikt van werken voor solopiano tot composities voor misthoorns. Speciaal voor deze avond brengt ze een nieuw werk op harmonium.

Opera mort 03 Steeve Bauras
IMAGES
Copyright Yiannis Katsari
Opera mort 03 Steeve Bauras