#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#119: Be a space of production.|#84: The White Cube is a lie.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#119: Be a space of production.|#84: The White Cube is a lie.|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#26: More artists, less borders.|#64: Arrange a distribution of forces.|#81: Things come alive when there is friction.|#17: An exhibition is never finished.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#61: No all male install teams.|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#91: Embrace doubt.|#14: Can you also remain a toddler institution?|
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29.06.2021 20:00

Concert

Price: € 5

B.A.A.D.M. presenteert:
Opéra Mort + Heleen Van Haegenborgh & Tomma Wessel

Limited audience! RESERVATION REQUIRED!
Admission: €5/€3

> TICKETS: mail to info@baadm.org.
If you don’t come alone, please mention if you want a bubble of 2, 3 or 4 persons, and their names. In a confirmation email, we will ask you to pay for your tickets in advance.

Opéra Mort

Èlg (BE) en Fusiller (FR) vormen samen het muzikaal duo Opéra Mort, dat zich graag verliest in weerbarstige, surreële en koortsachtige electronica en avant-garde. Zowel samen, solo of via diverse samenwerkingen (o.a. met Ghedalia Tazartès) legden ze reeds een impressionant parcours af met uitgaven op labels als Alter, Kraak, Nashazphone, Three:four Records, Hundebiss, of uitgaven in eigen beheer. Hun live-shows zijn steeds hoogst immersieve ervaringen, zoals het ijzersterke concert dat ze in 2017 op uitnodiging van B.A.A.D.M. brachten in AB Salon, en waarvan de opname nu op 6 mei in Kunsthal gepresenteerd wordt als gelimiteerde tape-release.

Heleen Van Haegenborgh

Met als basis haar studies aan de Koninklijke Conservatoria van Gent en Brussel ontwikkelde pianiste Heleen Van Haegenborgh (BE) een meerledige praktijk die haar op de meest diverse podia brengt, zowel over muziekgenres heen als over de grenzen van disciplines. Ze werkt vaak samen, zowel met andere muzikanten (Jürgen De Blonde, Lander Gyselinck, Kristof Rosseeuw, …) als met beeldende kunstenaars, filmmakers en theatermakers. Als componiste bestrijkt ze een breed spectrum, dat reikt van werken voor solopiano tot composities voor misthoorns. Speciaal voor deze avond brengt ze een nieuw werk op harmonium.

Opera mort 03 Steeve Bauras

IMAGES
Copyright Yiannis Katsari
Opera mort 03 Steeve Bauras