#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#56: Take a lunch break.|#111: Do it together.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#54: What about disabled artists?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#39: Be the early stepping stone in an artist’s career|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#10: Don’t be obsessed with numbers.|#94: No objections? Just do it.|#28: Make Contracts.|#119: Be a space of production.|#124: Do less, do it better.|#117: Consider design, organisational structures and architecture as programme.|#40: Follow the artist|#61: No all male install teams.|#65: No excuses: Thursday morning, team meeting.|#56: Take a lunch break.|#111: Do it together.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#54: What about disabled artists?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#39: Be the early stepping stone in an artist’s career|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#64: Arrange a distribution of forces.|#92: We’re a learning organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#68: Once in a while we need to get out of utopia and get something done.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#10: Don’t be obsessed with numbers.|#94: No objections? Just do it.|#28: Make Contracts.|#119: Be a space of production.|#124: Do less, do it better.|#117: Consider design, organisational structures and architecture as programme.|#40: Follow the artist|
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29.06.2021 20:00

Concert

Price: € 5

B.A.A.D.M. presenteert:
Opéra Mort + Heleen Van Haegenborgh & Tomma Wessel

Limited audience! RESERVATION REQUIRED!
Admission: €5/€3

> TICKETS: mail to info@baadm.org.
If you don’t come alone, please mention if you want a bubble of 2, 3 or 4 persons, and their names. In a confirmation email, we will ask you to pay for your tickets in advance.

Opéra Mort

Èlg (BE) en Fusiller (FR) vormen samen het muzikaal duo Opéra Mort, dat zich graag verliest in weerbarstige, surreële en koortsachtige electronica en avant-garde. Zowel samen, solo of via diverse samenwerkingen (o.a. met Ghedalia Tazartès) legden ze reeds een impressionant parcours af met uitgaven op labels als Alter, Kraak, Nashazphone, Three:four Records, Hundebiss, of uitgaven in eigen beheer. Hun live-shows zijn steeds hoogst immersieve ervaringen, zoals het ijzersterke concert dat ze in 2017 op uitnodiging van B.A.A.D.M. brachten in AB Salon, en waarvan de opname nu op 6 mei in Kunsthal gepresenteerd wordt als gelimiteerde tape-release.

Heleen Van Haegenborgh

Met als basis haar studies aan de Koninklijke Conservatoria van Gent en Brussel ontwikkelde pianiste Heleen Van Haegenborgh (BE) een meerledige praktijk die haar op de meest diverse podia brengt, zowel over muziekgenres heen als over de grenzen van disciplines. Ze werkt vaak samen, zowel met andere muzikanten (Jürgen De Blonde, Lander Gyselinck, Kristof Rosseeuw, …) als met beeldende kunstenaars, filmmakers en theatermakers. Als componiste bestrijkt ze een breed spectrum, dat reikt van werken voor solopiano tot composities voor misthoorns. Speciaal voor deze avond brengt ze een nieuw werk op harmonium.

Opera mort 03 Steeve Bauras

IMAGES
Copyright Yiannis Katsari
Opera mort 03 Steeve Bauras