#16: Kunsthal Gent will always be a construction site.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#34: We pay artists.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#64: Arrange a distribution of forces.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#107: Build a community / scene.|#124: Do less, do it better.|#105: Kunsthal Gent is local in scale, but globally connected.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#19: Have fun at the exhibition.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#111: Do it together.|#99: Evolve according to changing needs.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#59: Always protect the floor when painting (or pouring concrete)|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#28: Make Contracts.|#62: Don’t be a dick. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#6: Demand that visitors are active.|#56: Take a lunch break.|#2: Bring something new to the city of Ghent.|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|#94: No objections? Just do it.|#36: We support production separately.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#90: The best systems have a failure or ‘a hole’ in them…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#14: Can you also remain a toddler institution?|#98: The success of it will not lie in the result but in the process.|#16: Kunsthal Gent will always be a construction site.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#40: Follow the artist|#34: We pay artists.|#26: More artists, less borders.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#64: Arrange a distribution of forces.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#107: Build a community / scene.|#124: Do less, do it better.|#105: Kunsthal Gent is local in scale, but globally connected.|#20: Are exhibitions the most suitable form for the art that we present?|#127: Remain practical: what happens to the work in an endless exhibition?|#19: Have fun at the exhibition.|#61: No all male install teams.|#132: Things will always look weird when you’re the first doing it.|#89: Build-in impurity within the organisation.|#111: Do it together.|#99: Evolve according to changing needs.|#17: An exhibition is never finished.|#44: No name tags at dinner.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#39: Be the early stepping stone in an artist’s career|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#59: Always protect the floor when painting (or pouring concrete)|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#10: Don’t be obsessed with numbers.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#4: Pay what you can.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#137: Use the publication as programming space|#28: Make Contracts.|#62: Don’t be a dick. Full dishwasher: empty it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#55: Keep basic human needs on the forefront.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#30: Don’t work with artists who are assholes.|#35: The artist fee should be good.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#6: Demand that visitors are active.|#56: Take a lunch break.|#2: Bring something new to the city of Ghent.|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#119: Be a space of production.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#92: We’re a learning organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#82: Clean and sterile looks professional, but really boring.|#94: No objections? Just do it.|#36: We support production separately.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#90: The best systems have a failure or ‘a hole’ in them…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#14: Can you also remain a toddler institution?|#98: The success of it will not lie in the result but in the process.|
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06.05.2021 20:00

Concert

Price: € 5

B.A.A.D.M. presenteert:
Opéra Mort & Heleen Van Haegenborgh

Dit concert zal georganiseerd worden volgens de op dat moment geldende Corona-kleurcode.

Reservatie verplicht. Reservatielink en ticketprijzen zullen later worden meegedeeld op deze pagina.

Inkom: 5€ / reductie: 3€

Opéra Mort

Èlg (BE) en Fusiller (FR) vormen samen het muzikaal duo Opéra Mort, dat zich graag verliest in weerbarstige, surreële en koortsachtige electronica en avant-garde. Zowel samen, solo of via diverse samenwerkingen (o.a. met Ghedalia Tazartès) legden ze reeds een impressionant parcours af met uitgaven op labels als Alter, Kraak, Nashazphone, Three:four Records, Hundebiss, of uitgaven in eigen beheer. Hun live-shows zijn steeds hoogst immersieve ervaringen, zoals het ijzersterke concert dat ze in 2017 op uitnodiging van B.A.A.D.M. brachten in AB Salon, en waarvan de opname nu op 6 mei in Kunsthal gepresenteerd wordt als gelimiteerde tape-release.

Heleen Van Haegenborgh

Met als basis haar studies aan de Koninklijke Conservatoria van Gent en Brussel ontwikkelde pianiste Heleen Van Haegenborgh (BE) een meerledige praktijk die haar op de meest diverse podia brengt, zowel over muziekgenres heen als over de grenzen van disciplines. Ze werkt vaak samen, zowel met andere muzikanten (Jürgen De Blonde, Lander Gyselinck, Kristof Rosseeuw, …) als met beeldende kunstenaars, filmmakers en theatermakers. Als componiste bestrijkt ze een breed spectrum, dat reikt van werken voor solopiano tot composities voor misthoorns. Speciaal voor deze avond brengt ze een nieuw werk op harmonium.

Opera mort 03 Steeve Bauras