#111: Do it together.|#94: No objections? Just do it.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#65: No excuses: Thursday morning, team meeting.|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|#61: No all male install teams.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#84: The White Cube is a lie.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#94: No objections? Just do it.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#65: No excuses: Thursday morning, team meeting.|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|#61: No all male install teams.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#84: The White Cube is a lie.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|
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29.06.2021 20:00

Concert

Price: € 5

B.A.A.D.M. presenteert:
Opéra Mort + Heleen Van Haegenborgh & Tomma Wessel

Limited audience! RESERVATION REQUIRED!
Admission: €5/€3

> TICKETS: mail to info@baadm.org.
If you don’t come alone, please mention if you want a bubble of 2, 3 or 4 persons, and their names. In a confirmation email, we will ask you to pay for your tickets in advance.

Opéra Mort

Èlg (BE) en Fusiller (FR) vormen samen het muzikaal duo Opéra Mort, dat zich graag verliest in weerbarstige, surreële en koortsachtige electronica en avant-garde. Zowel samen, solo of via diverse samenwerkingen (o.a. met Ghedalia Tazartès) legden ze reeds een impressionant parcours af met uitgaven op labels als Alter, Kraak, Nashazphone, Three:four Records, Hundebiss, of uitgaven in eigen beheer. Hun live-shows zijn steeds hoogst immersieve ervaringen, zoals het ijzersterke concert dat ze in 2017 op uitnodiging van B.A.A.D.M. brachten in AB Salon, en waarvan de opname nu op 6 mei in Kunsthal gepresenteerd wordt als gelimiteerde tape-release.

Heleen Van Haegenborgh

Met als basis haar studies aan de Koninklijke Conservatoria van Gent en Brussel ontwikkelde pianiste Heleen Van Haegenborgh (BE) een meerledige praktijk die haar op de meest diverse podia brengt, zowel over muziekgenres heen als over de grenzen van disciplines. Ze werkt vaak samen, zowel met andere muzikanten (Jürgen De Blonde, Lander Gyselinck, Kristof Rosseeuw, …) als met beeldende kunstenaars, filmmakers en theatermakers. Als componiste bestrijkt ze een breed spectrum, dat reikt van werken voor solopiano tot composities voor misthoorns. Speciaal voor deze avond brengt ze een nieuw werk op harmonium.

Opera mort 03 Steeve Bauras

IMAGES
Copyright Yiannis Katsari
Opera mort 03 Steeve Bauras