#59: Always protect the floor when painting (or pouring concrete)|#137: Use the publication as programming space|#37: Operate with radical transparency.|#84: The White Cube is a lie.|#26: More artists, less borders.|#111: Do it together.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#124: Do less, do it better.|#6: Demand that visitors are active.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#14: Can you also remain a toddler institution?|#98: The success of it will not lie in the result but in the process.|#74: Last one out turns of the lights.|#2: Bring something new to the city of Ghent.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|#54: What about disabled artists?|#34: We pay artists.|#107: Build a community / scene.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#59: Always protect the floor when painting (or pouring concrete)|#137: Use the publication as programming space|#37: Operate with radical transparency.|#84: The White Cube is a lie.|#26: More artists, less borders.|#111: Do it together.|#112: Spaces today don’t need to be curated, but occupied.|#20: Are exhibitions the most suitable form for the art that we present?|#124: Do less, do it better.|#6: Demand that visitors are active.|#82: Clean and sterile looks professional, but really boring.|#4: Pay what you can.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#14: Can you also remain a toddler institution?|#98: The success of it will not lie in the result but in the process.|#74: Last one out turns of the lights.|#2: Bring something new to the city of Ghent.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|#54: What about disabled artists?|#34: We pay artists.|#107: Build a community / scene.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|
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29.06.2021 20:00

Concert

Price: € 5

B.A.A.D.M. presenteert:
Opéra Mort + Heleen Van Haegenborgh & Tomma Wessel

Limited audience! RESERVATION REQUIRED!
Admission: €5/€3

> TICKETS: mail to info@baadm.org.
If you don’t come alone, please mention if you want a bubble of 2, 3 or 4 persons, and their names. In a confirmation email, we will ask you to pay for your tickets in advance.

Opéra Mort

Èlg (BE) en Fusiller (FR) vormen samen het muzikaal duo Opéra Mort, dat zich graag verliest in weerbarstige, surreële en koortsachtige electronica en avant-garde. Zowel samen, solo of via diverse samenwerkingen (o.a. met Ghedalia Tazartès) legden ze reeds een impressionant parcours af met uitgaven op labels als Alter, Kraak, Nashazphone, Three:four Records, Hundebiss, of uitgaven in eigen beheer. Hun live-shows zijn steeds hoogst immersieve ervaringen, zoals het ijzersterke concert dat ze in 2017 op uitnodiging van B.A.A.D.M. brachten in AB Salon, en waarvan de opname nu op 6 mei in Kunsthal gepresenteerd wordt als gelimiteerde tape-release.

Heleen Van Haegenborgh

Met als basis haar studies aan de Koninklijke Conservatoria van Gent en Brussel ontwikkelde pianiste Heleen Van Haegenborgh (BE) een meerledige praktijk die haar op de meest diverse podia brengt, zowel over muziekgenres heen als over de grenzen van disciplines. Ze werkt vaak samen, zowel met andere muzikanten (Jürgen De Blonde, Lander Gyselinck, Kristof Rosseeuw, …) als met beeldende kunstenaars, filmmakers en theatermakers. Als componiste bestrijkt ze een breed spectrum, dat reikt van werken voor solopiano tot composities voor misthoorns. Speciaal voor deze avond brengt ze een nieuw werk op harmonium.

Opera mort 03 Steeve Bauras

IMAGES
Copyright Yiannis Katsari
Opera mort 03 Steeve Bauras