#111: Do it together.|#94: No objections? Just do it.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#65: No excuses: Thursday morning, team meeting.|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|#61: No all male install teams.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#84: The White Cube is a lie.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#94: No objections? Just do it.|#4: Pay what you can.|#20: Are exhibitions the most suitable form for the art that we present?|#44: No name tags at dinner.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#65: No excuses: Thursday morning, team meeting.|#90: The best systems have a failure or ‘a hole’ in them…|#37: Operate with radical transparency.|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|#61: No all male install teams.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#84: The White Cube is a lie.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|
