#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#14: Can you also remain a toddler institution?|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#35: The artist fee should be good.|#112: Spaces today don’t need to be curated, but occupied.|#39: Be the early stepping stone in an artist’s career|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#91: Embrace doubt.|#82: Clean and sterile looks professional, but really boring.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#105: Kunsthal Gent is local in scale, but globally connected.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#51: How do we invite the true unknown?|#132: Things will always look weird when you’re the first doing it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#14: Can you also remain a toddler institution?|#26: More artists, less borders.|#117: Consider design, organisational structures and architecture as programme.|#127: Remain practical: what happens to the work in an endless exhibition?|#35: The artist fee should be good.|#112: Spaces today don’t need to be curated, but occupied.|#39: Be the early stepping stone in an artist’s career|#90: The best systems have a failure or ‘a hole’ in them…|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#34: We pay artists.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#91: Embrace doubt.|#82: Clean and sterile looks professional, but really boring.|#68: Once in a while we need to get out of utopia and get something done.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#65: No excuses: Thursday morning, team meeting.|#105: Kunsthal Gent is local in scale, but globally connected.|