#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#89: Build-in impurity within the organisation.|#51: How do we invite the true unknown?|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#107: Build a community / scene.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#34: We pay artists.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#40: Follow the artist|#89: Build-in impurity within the organisation.|#51: How do we invite the true unknown?|#119: Be a space of production.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#98: The success of it will not lie in the result but in the process.|#28: Make Contracts.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#59: Always protect the floor when painting (or pouring concrete)|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#107: Build a community / scene.|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#34: We pay artists.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#64: Arrange a distribution of forces.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#29: We make the program for the artist that we exhibit.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#132: Things will always look weird when you’re the first doing it.|
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20.09.2019 20:00

Pay what you can

opening 20 september:
Joëlle Tuerlinckx en architecten de vylder vinck taillieu

Opening on 20 September: new exhibitions by Joëlle Tuerlinckx and architects de vylder vinck taillieu


From September to December, ​Joëlle Tuerlinckx​ presents the project ​La Fabrique d'un Single screen​. During opening hours, she will be working - between and with the visitors of Kunsthal Gent - on a film that will bring together more than 80 hours of visual material from THAT'S IT! The Single Screen, her long-term residency at the DIA Art Foundation in Beacon (US).
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During the ​Festival of Architecture​, the Ghent architecture firm ​de vylder vinck taillieu​ will present their entry for the Venice Biennale Architettura 2018 in Kunsthal Gent. ​UNLESS EVER PEOPLE / CARITAS FOR FREESPACE ​ is a representation of their impressive repurposing of an outdated building in the Karus Psychiatric Centre in Melle. The exhibition won the Silver Lion for young and promising work in Venice and will be on view in Belgium for the first time.
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OPENING : Friday 20 September 2019, 20:00
Opening and performances: Joëlle Tuerlinckx 'La Fabrique d'un ​Single screen'​, Opening exhibition: architecten de vylder vinck taillieu 'UNLESS EVER PEOPLE / CARITAS FOR FREESPACE'.
Doors open from 18:00

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