#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#124: Do less, do it better.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#4: Pay what you can.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#137: Use the publication as programming space|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#53: Immaterial support for artists is important.|#65: No excuses: Thursday morning, team meeting.|#74: Last one out turns of the lights.|#92: We’re a learning organisation.|#117: Consider design, organisational structures and architecture as programme.|#16: Kunsthal Gent will always be a construction site.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#17: An exhibition is never finished.|#124: Do less, do it better.|#54: What about disabled artists?|#15: Kunsthal Gent aims to be an extension of public space.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#51: How do we invite the true unknown?|#4: Pay what you can.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#137: Use the publication as programming space|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
