#37: Operate with radical transparency.|#65: No excuses: Thursday morning, team meeting.|#119: Be a space of production.|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#94: No objections? Just do it.|#111: Do it together.|#4: Pay what you can.|#84: The White Cube is a lie.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#132: Things will always look weird when you’re the first doing it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#124: Do less, do it better.|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#36: We support production separately.|#28: Make Contracts.|#37: Operate with radical transparency.|#65: No excuses: Thursday morning, team meeting.|#119: Be a space of production.|#137: Use the publication as programming space|#81: Things come alive when there is friction.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#94: No objections? Just do it.|#111: Do it together.|#4: Pay what you can.|#84: The White Cube is a lie.|#39: Be the early stepping stone in an artist’s career|#107: Build a community / scene.|#2: Bring something new to the city of Ghent.|#117: Consider design, organisational structures and architecture as programme.|#132: Things will always look weird when you’re the first doing it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#124: Do less, do it better.|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#16: Kunsthal Gent will always be a construction site.|#36: We support production separately.|#28: Make Contracts.|
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20.09.2019 20:00

Pay what you can

opening 20 september:
Joëlle Tuerlinckx en architecten de vylder vinck taillieu

Opening on 20 September: new exhibitions by Joëlle Tuerlinckx and architects de vylder vinck taillieu


From September to December, ​Joëlle Tuerlinckx​ presents the project ​La Fabrique d'un Single screen​. During opening hours, she will be working - between and with the visitors of Kunsthal Gent - on a film that will bring together more than 80 hours of visual material from THAT'S IT! The Single Screen, her long-term residency at the DIA Art Foundation in Beacon (US).
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During the ​Festival of Architecture​, the Ghent architecture firm ​de vylder vinck taillieu​ will present their entry for the Venice Biennale Architettura 2018 in Kunsthal Gent. ​UNLESS EVER PEOPLE / CARITAS FOR FREESPACE ​ is a representation of their impressive repurposing of an outdated building in the Karus Psychiatric Centre in Melle. The exhibition won the Silver Lion for young and promising work in Venice and will be on view in Belgium for the first time.
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OPENING : Friday 20 September 2019, 20:00
Opening and performances: Joëlle Tuerlinckx 'La Fabrique d'un ​Single screen'​, Opening exhibition: architecten de vylder vinck taillieu 'UNLESS EVER PEOPLE / CARITAS FOR FREESPACE'.
Doors open from 18:00

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