#17: An exhibition is never finished.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#61: No all male install teams.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#64: Arrange a distribution of forces.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#20: Are exhibitions the most suitable form for the art that we present?|#111: Do it together.|#34: We pay artists.|#15: Kunsthal Gent aims to be an extension of public space.|#21: Live with the exhibition, spend time with it.|#105: Kunsthal Gent is local in scale, but globally connected.|#17: An exhibition is never finished.|#32: Be pan-gender polyphonic.|#56: Take a lunch break.|#127: Remain practical: what happens to the work in an endless exhibition?|#68: Once in a while we need to get out of utopia and get something done.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#137: Use the publication as programming space|#61: No all male install teams.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#54: What about disabled artists?|#64: Arrange a distribution of forces.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#59: Always protect the floor when painting (or pouring concrete)|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#98: The success of it will not lie in the result but in the process.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#30: Don’t work with artists who are assholes.|#20: Are exhibitions the most suitable form for the art that we present?|#111: Do it together.|#34: We pay artists.|#15: Kunsthal Gent aims to be an extension of public space.|#21: Live with the exhibition, spend time with it.|#105: Kunsthal Gent is local in scale, but globally connected.|
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20.09.2019 20:00

Pay what you can

opening 20 september:
Joëlle Tuerlinckx en architecten de vylder vinck taillieu

Opening on 20 September: new exhibitions by Joëlle Tuerlinckx and architects de vylder vinck taillieu


From September to December, ​Joëlle Tuerlinckx​ presents the project ​La Fabrique d'un Single screen​. During opening hours, she will be working - between and with the visitors of Kunsthal Gent - on a film that will bring together more than 80 hours of visual material from THAT'S IT! The Single Screen, her long-term residency at the DIA Art Foundation in Beacon (US).
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During the ​Festival of Architecture​, the Ghent architecture firm ​de vylder vinck taillieu​ will present their entry for the Venice Biennale Architettura 2018 in Kunsthal Gent. ​UNLESS EVER PEOPLE / CARITAS FOR FREESPACE ​ is a representation of their impressive repurposing of an outdated building in the Karus Psychiatric Centre in Melle. The exhibition won the Silver Lion for young and promising work in Venice and will be on view in Belgium for the first time.
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OPENING : Friday 20 September 2019, 20:00
Opening and performances: Joëlle Tuerlinckx 'La Fabrique d'un ​Single screen'​, Opening exhibition: architecten de vylder vinck taillieu 'UNLESS EVER PEOPLE / CARITAS FOR FREESPACE'.
Doors open from 18:00

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