#6: Demand that visitors are active.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#64: Arrange a distribution of forces.|#34: We pay artists.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|#59: Always protect the floor when painting (or pouring concrete)|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#81: Things come alive when there is friction.|#21: Live with the exhibition, spend time with it.|#6: Demand that visitors are active.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#111: Do it together.|#64: Arrange a distribution of forces.|#34: We pay artists.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#16: Kunsthal Gent will always be a construction site.|#37: Operate with radical transparency.|#59: Always protect the floor when painting (or pouring concrete)|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#92: We’re a learning organisation.|#105: Kunsthal Gent is local in scale, but globally connected.|#117: Consider design, organisational structures and architecture as programme.|#98: The success of it will not lie in the result but in the process.|#17: An exhibition is never finished.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#74: Last one out turns of the lights.|#81: Things come alive when there is friction.|#21: Live with the exhibition, spend time with it.|
