#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#99: Evolve according to changing needs.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#2: Bring something new to the city of Ghent.|#39: Be the early stepping stone in an artist’s career|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#35: The artist fee should be good.|#10: Don’t be obsessed with numbers.|#92: We’re a learning organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#37: Operate with radical transparency.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#40: Follow the artist|#16: Kunsthal Gent will always be a construction site.|#99: Evolve according to changing needs.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#68: Once in a while we need to get out of utopia and get something done.|#2: Bring something new to the city of Ghent.|#39: Be the early stepping stone in an artist’s career|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#35: The artist fee should be good.|#10: Don’t be obsessed with numbers.|#92: We’re a learning organisation.|#15: Kunsthal Gent aims to be an extension of public space.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#98: The success of it will not lie in the result but in the process.|#107: Build a community / scene.|
