#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#74: Last one out turns of the lights.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#124: Do less, do it better.|#51: How do we invite the true unknown?|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#14: Can you also remain a toddler institution?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#26: More artists, less borders.|#40: Follow the artist|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#74: Last one out turns of the lights.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#99: Evolve according to changing needs.|#132: Things will always look weird when you’re the first doing it.|#20: Are exhibitions the most suitable form for the art that we present?|#65: No excuses: Thursday morning, team meeting.|#36: We support production separately.|#59: Always protect the floor when painting (or pouring concrete)|#124: Do less, do it better.|#51: How do we invite the true unknown?|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#53: Immaterial support for artists is important.|#19: Have fun at the exhibition.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#6: Demand that visitors are active.|#91: Embrace doubt.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#14: Can you also remain a toddler institution?|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#26: More artists, less borders.|