#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#34: We pay artists.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#54: What about disabled artists?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#137: Use the publication as programming space|#132: Things will always look weird when you’re the first doing it.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#94: No objections? Just do it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#89: Build-in impurity within the organisation.|#34: We pay artists.|#81: Things come alive when there is friction.|#64: Arrange a distribution of forces.|#10: Don’t be obsessed with numbers.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#19: Have fun at the exhibition.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#54: What about disabled artists?|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#137: Use the publication as programming space|#132: Things will always look weird when you’re the first doing it.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|
