#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#65: No excuses: Thursday morning, team meeting.|#37: Operate with radical transparency.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#36: We support production separately.|#107: Build a community / scene.|#20: Are exhibitions the most suitable form for the art that we present?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#61: No all male install teams.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#44: No name tags at dinner.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#65: No excuses: Thursday morning, team meeting.|#37: Operate with radical transparency.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#29: We make the program for the artist that we exhibit.|#89: Build-in impurity within the organisation.|#36: We support production separately.|#107: Build a community / scene.|#20: Are exhibitions the most suitable form for the art that we present?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#21: Live with the exhibition, spend time with it.|#81: Things come alive when there is friction.|#15: Kunsthal Gent aims to be an extension of public space.|#61: No all male install teams.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#94: No objections? Just do it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|
