#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#94: No objections? Just do it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#91: Embrace doubt.|#16: Kunsthal Gent will always be a construction site.|#84: The White Cube is a lie.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#19: Have fun at the exhibition.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Be kind. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#68: Once in a while we need to get out of utopia and get something done.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#4: Pay what you can.|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#61: No all male install teams.|#44: No name tags at dinner.|#81: Things come alive when there is friction.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#111: Do it together.|#6: Demand that visitors are active.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#94: No objections? Just do it.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#29: We make the program for the artist that we exhibit.|#32: Be pan-gender polyphonic.|#91: Embrace doubt.|#16: Kunsthal Gent will always be a construction site.|#84: The White Cube is a lie.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#19: Have fun at the exhibition.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Be kind. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#68: Once in a while we need to get out of utopia and get something done.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#4: Pay what you can.|#59: Always protect the floor when painting (or pouring concrete)|#53: Immaterial support for artists is important.|#61: No all male install teams.|#44: No name tags at dinner.|#81: Things come alive when there is friction.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#111: Do it together.|#6: Demand that visitors are active.|
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17—19.02.2023 20:00

Pay what you can

Openingsweekend: Eleni Kamma & Dieter Durinck

In a few weeks, we will open the doors of Kunsthal Gent for two new exhibitions. More than welcome during the opening weekend from Friday 17 February to Sunday 19 February.

ELENI KAMMA — 'CASTING CALL'

With Eleni Kamma's 'Casting Call' (2017 - ongoing), Kunsthal Gent is organising a temporary solo exhibition amid the Endless Exhibition for the first time. 'Casting Call' is an investigation into the concept of parrhesia: the courage to speak one's mind. The exhibition takes the form of an installation of characters (drawings, videos, costumes and props) that moves through the Endless Exhibition like a parade, inviting the visitor to participate in a sensory experience.

DIETER DURINCK: ‘BOOTLEG PAINTINGS’

Kunsthal Gent presents 'Bootleg Paintings', a retrospective by Ghent artist Dieter Durinck. With a series of more than 40 works, Durinck pays critical homage to different eras and movements within 20th-century painting. Works by famous and less famous masters were reinterpreted and overlaid with a green colour. At the same time, it is a personal etude into different possibilities within the act of painting.

Opening hours
  • Fr 17.02.23, 20:00 — 24:00 (Opening)
  • Sa 18.02.23, 11:00 — 18:00
  • Su 19.02.23, 11:00 — 18:00
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