#37: Operate with radical transparency.|#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#6: Demand that visitors are active.|#26: More artists, less borders.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#16: Kunsthal Gent will always be a construction site.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|#54: What about disabled artists?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#37: Operate with radical transparency.|#40: Follow the artist|#29: We make the program for the artist that we exhibit.|#36: We support production separately.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#84: The White Cube is a lie.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#6: Demand that visitors are active.|#26: More artists, less borders.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#16: Kunsthal Gent will always be a construction site.|#14: Can you also remain a toddler institution?|#132: Things will always look weird when you’re the first doing it.|#99: Evolve according to changing needs.|#112: Spaces today don’t need to be curated, but occupied.|#53: Immaterial support for artists is important.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|#90: The best systems have a failure or ‘a hole’ in them…|#17: An exhibition is never finished.|#54: What about disabled artists?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|
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28.11.2019 20:00

organised by Whatabout Ourcorrespondences - #smakistestil - in dutch

Pay what you can

open conversation:
Our correspondence

whatabout ourcorresondences presents:

Our correspondence
open conversation in the context of the protest action #smakistestil

Thursday 28 November 2019, 20:00 - 23:00
Everyone who feels involved is welcome - in Dutch

Can and should a museum make a distinction between the artist and his or her work, between ethics and aesthetics?
What is desirable?
Are there limits to what a museum can show and how?
What is the role of a museum when it knows about issues of sexual harassment in relation to an artist who exhibits?

Please confirm your attendance at whataboutourcorrespondence@gmail.com

PLEASE NOTE: The evening will be in Dutch. To all non-Dutch speakers: you are still very welcome, send an email to whataboutourcorrespondence@gmail.com if you want to attend, the organisers can try to find you a Dutch translation buddy.

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