#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#40: Follow the artist|#37: Operate with radical transparency.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#19: Have fun at the exhibition.|#4: Pay what you can.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#40: Follow the artist|#37: Operate with radical transparency.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#19: Have fun at the exhibition.|#4: Pay what you can.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|
