#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#84: The White Cube is a lie.|#124: Do less, do it better.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#56: Take a lunch break.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#84: The White Cube is a lie.|#124: Do less, do it better.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#17: An exhibition is never finished.|#98: The success of it will not lie in the result but in the process.|#64: Arrange a distribution of forces.|#56: Take a lunch break.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#34: We pay artists.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|
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28.11.2019 20:00

organised by Whatabout Ourcorrespondences - #smakistestil - in dutch

Pay what you can

open conversation:
Our correspondence

whatabout ourcorresondences presents:

Our correspondence
open conversation in the context of the protest action #smakistestil

Thursday 28 November 2019, 20:00 - 23:00
Everyone who feels involved is welcome - in Dutch

Can and should a museum make a distinction between the artist and his or her work, between ethics and aesthetics?
What is desirable?
Are there limits to what a museum can show and how?
What is the role of a museum when it knows about issues of sexual harassment in relation to an artist who exhibits?

Please confirm your attendance at whataboutourcorrespondence@gmail.com

PLEASE NOTE: The evening will be in Dutch. To all non-Dutch speakers: you are still very welcome, send an email to whataboutourcorrespondence@gmail.com if you want to attend, the organisers can try to find you a Dutch translation buddy.

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