#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#40: Follow the artist|#37: Operate with radical transparency.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#19: Have fun at the exhibition.|#4: Pay what you can.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#59: Always protect the floor when painting (or pouring concrete)|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#40: Follow the artist|#37: Operate with radical transparency.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#32: Be pan-gender polyphonic.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#16: Kunsthal Gent will always be a construction site.|#105: Kunsthal Gent is local in scale, but globally connected.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#29: We make the program for the artist that we exhibit.|#127: Remain practical: what happens to the work in an endless exhibition?|#54: What about disabled artists?|#19: Have fun at the exhibition.|#4: Pay what you can.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#36: We support production separately.|
This website uses cookies to improve your user experience. More info

28.11.2019 20:00

organised by Whatabout Ourcorrespondences - #smakistestil - in dutch

Pay what you can

open conversation:
Our correspondence

whatabout ourcorresondences presents:

Our correspondence
open conversation in the context of the protest action #smakistestil

Thursday 28 November 2019, 20:00 - 23:00
Everyone who feels involved is welcome - in Dutch

Can and should a museum make a distinction between the artist and his or her work, between ethics and aesthetics?
What is desirable?
Are there limits to what a museum can show and how?
What is the role of a museum when it knows about issues of sexual harassment in relation to an artist who exhibits?

Please confirm your attendance at whataboutourcorrespondence@gmail.com

PLEASE NOTE: The evening will be in Dutch. To all non-Dutch speakers: you are still very welcome, send an email to whataboutourcorrespondence@gmail.com if you want to attend, the organisers can try to find you a Dutch translation buddy.

75100188 110410227053351 4733365822062329856 o