#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#132: Things will always look weird when you’re the first doing it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#68: Once in a while we need to get out of utopia and get something done.|#124: Do less, do it better.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#137: Use the publication as programming space|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#4: Pay what you can.|#56: Take a lunch break.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#34: We pay artists.|#91: Embrace doubt.|#17: An exhibition is never finished.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#132: Things will always look weird when you’re the first doing it.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#65: No excuses: Thursday morning, team meeting.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#68: Once in a while we need to get out of utopia and get something done.|#124: Do less, do it better.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#137: Use the publication as programming space|#39: Be the early stepping stone in an artist’s career|#19: Have fun at the exhibition.|#4: Pay what you can.|#56: Take a lunch break.|#61: No all male install teams.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#64: Arrange a distribution of forces.|#90: The best systems have a failure or ‘a hole’ in them…|#26: More artists, less borders.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#28: Make Contracts.|#34: We pay artists.|#91: Embrace doubt.|#17: An exhibition is never finished.|
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28.11.2019 20:00

organised by Whatabout Ourcorrespondences - #smakistestil - in dutch

Pay what you can

open conversation:
Our correspondence

whatabout ourcorresondences presents:

Our correspondence
open conversation in the context of the protest action #smakistestil

Thursday 28 November 2019, 20:00 - 23:00
Everyone who feels involved is welcome - in Dutch

Can and should a museum make a distinction between the artist and his or her work, between ethics and aesthetics?
What is desirable?
Are there limits to what a museum can show and how?
What is the role of a museum when it knows about issues of sexual harassment in relation to an artist who exhibits?

Please confirm your attendance at whataboutourcorrespondence@gmail.com

PLEASE NOTE: The evening will be in Dutch. To all non-Dutch speakers: you are still very welcome, send an email to whataboutourcorrespondence@gmail.com if you want to attend, the organisers can try to find you a Dutch translation buddy.

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