#89: Build-in impurity within the organisation.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#119: Be a space of production.|#36: We support production separately.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#4: Pay what you can.|#26: More artists, less borders.|#84: The White Cube is a lie.|#91: Embrace doubt.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#35: The artist fee should be good.|#74: Last one out turns of the lights.|#89: Build-in impurity within the organisation.|#56: Take a lunch break.|#64: Arrange a distribution of forces.|#98: The success of it will not lie in the result but in the process.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#28: Make Contracts.|#119: Be a space of production.|#36: We support production separately.|#137: Use the publication as programming space|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#82: Clean and sterile looks professional, but really boring.|#55: Keep basic human needs on the forefront.|#15: Kunsthal Gent aims to be an extension of public space.|#6: Demand that visitors are active.|#92: We’re a learning organisation.|#21: Live with the exhibition, spend time with it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#4: Pay what you can.|#26: More artists, less borders.|#84: The White Cube is a lie.|#91: Embrace doubt.|#51: How do we invite the true unknown?|#124: Do less, do it better.|#35: The artist fee should be good.|#74: Last one out turns of the lights.|
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28.11.2019 20:00

organised by Whatabout Ourcorrespondences - #smakistestil - in dutch

Pay what you can

open conversation:
Our correspondence

whatabout ourcorresondences presents:

Our correspondence
open conversation in the context of the protest action #smakistestil

Thursday 28 November 2019, 20:00 - 23:00
Everyone who feels involved is welcome - in Dutch

Can and should a museum make a distinction between the artist and his or her work, between ethics and aesthetics?
What is desirable?
Are there limits to what a museum can show and how?
What is the role of a museum when it knows about issues of sexual harassment in relation to an artist who exhibits?

Please confirm your attendance at whataboutourcorrespondence@gmail.com

PLEASE NOTE: The evening will be in Dutch. To all non-Dutch speakers: you are still very welcome, send an email to whataboutourcorrespondence@gmail.com if you want to attend, the organisers can try to find you a Dutch translation buddy.

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