#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#81: Things come alive when there is friction.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#111: Do it together.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#37: Operate with radical transparency.|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|#39: Be the early stepping stone in an artist’s career|#17: An exhibition is never finished.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|#137: Use the publication as programming space|#82: Clean and sterile looks professional, but really boring.|#51: How do we invite the true unknown?|#44: No name tags at dinner.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#74: Last one out turns of the lights.|#81: Things come alive when there is friction.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#112: Spaces today don’t need to be curated, but occupied.|#111: Do it together.|#64: Arrange a distribution of forces.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#20: Are exhibitions the most suitable form for the art that we present?|#37: Operate with radical transparency.|#26: More artists, less borders.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#90: The best systems have a failure or ‘a hole’ in them…|#21: Live with the exhibition, spend time with it.|#39: Be the early stepping stone in an artist’s career|#17: An exhibition is never finished.|#117: Consider design, organisational structures and architecture as programme.|#4: Pay what you can.|
