#59: Always protect the floor when painting (or pouring concrete)|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#81: Things come alive when there is friction.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#92: We’re a learning organisation.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#15: Kunsthal Gent aims to be an extension of public space.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#107: Build a community / scene.|#21: Live with the exhibition, spend time with it.|#17: An exhibition is never finished.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#37: Operate with radical transparency.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#30: Don’t work with artists who are assholes.|#51: How do we invite the true unknown?|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|#59: Always protect the floor when painting (or pouring concrete)|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#81: Things come alive when there is friction.|#99: Evolve according to changing needs.|#54: What about disabled artists?|#92: We’re a learning organisation.|#44: No name tags at dinner.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#15: Kunsthal Gent aims to be an extension of public space.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#107: Build a community / scene.|#21: Live with the exhibition, spend time with it.|#17: An exhibition is never finished.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#37: Operate with radical transparency.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#20: Are exhibitions the most suitable form for the art that we present?|#30: Don’t work with artists who are assholes.|#51: How do we invite the true unknown?|#117: Consider design, organisational structures and architecture as programme.|#39: Be the early stepping stone in an artist’s career|
