#59: Always protect the floor when painting (or pouring concrete)|#91: Embrace doubt.|#68: Once in a while we need to get out of utopia and get something done.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#81: Things come alive when there is friction.|#111: Do it together.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#44: No name tags at dinner.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#35: The artist fee should be good.|#119: Be a space of production.|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#26: More artists, less borders.|#59: Always protect the floor when painting (or pouring concrete)|#91: Embrace doubt.|#68: Once in a while we need to get out of utopia and get something done.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#117: Consider design, organisational structures and architecture as programme.|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#81: Things come alive when there is friction.|#111: Do it together.|#51: How do we invite the true unknown?|#65: No excuses: Thursday morning, team meeting.|#44: No name tags at dinner.|#28: Make Contracts.|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#94: No objections? Just do it.|#35: The artist fee should be good.|#119: Be a space of production.|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#56: Take a lunch break.|#26: More artists, less borders.|
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02—11.07.2021 20:00

With performances on Sunday at 15.00

Pay what you can

Two weekends::
PostXZomersalon

PostX has set up a side space of the Kunsthal Gent's Summer Salon as an antichambre: a simple scenography with benches to take a rest, a sanatorium for neglected plants and the audio installation KLIJ by IJ (Inge van den Kroonenberg and Jürgen De Blonde).

KLIJ

A drop.
A block of clay.
A piezo microphone in the clay.
What gets through?
A ripple in the air.
What do you hear?
A reflection of a micro-impact.
What touches the core? An impression of a core.

Weighted and weighed with double standards.

An intervention and performance by IJ (Inge van den Kroonenberg and Jürgen De Blonde) for All Things Sound in collaboration with Wouter Cox.

Performance: Sunday 11 July, 15.00

Jasmijn Lootens & Anneleen De Causmaecker

PX Zomersalon

IMAGES
Klei Beeld