#32: Be pan-gender polyphonic.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#61: No all male install teams.|#91: Embrace doubt.|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#35: The artist fee should be good.|#124: Do less, do it better.|#119: Be a space of production.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#2: Bring something new to the city of Ghent.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#64: Arrange a distribution of forces.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#10: Don’t be obsessed with numbers.|#32: Be pan-gender polyphonic.|#53: Immaterial support for artists is important.|#51: How do we invite the true unknown?|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#61: No all male install teams.|#91: Embrace doubt.|#26: More artists, less borders.|#55: Keep basic human needs on the forefront.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#35: The artist fee should be good.|#124: Do less, do it better.|#119: Be a space of production.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#2: Bring something new to the city of Ghent.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#84: The White Cube is a lie.|#64: Arrange a distribution of forces.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#10: Don’t be obsessed with numbers.|
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08.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Première Alexander Deprez: Gabriel Descending

Gabriel Descending, Alexander Deprez

—BE, 2019, 30’, color, digital

NL

Gabriel, a young concierge, seems to slowly sink into madness. But is that really the case? Or is he the one who sees what others refuse to see?

Alexander Deprez's voyeuristic and raw photographs often give an insight into his personal life. With Gabriel Descending he makes his debut as a filmmaker.

Ticket: 5 euro

For more information: https://offoff.be/events/gabriel-descending/

Gabriel Descending Fotokopie 1024x459