#26: More artists, less borders.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#99: Evolve according to changing needs.|#64: Arrange a distribution of forces.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#54: What about disabled artists?|#55: Keep basic human needs on the forefront.|#28: Make Contracts.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#84: The White Cube is a lie.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#44: No name tags at dinner.|#26: More artists, less borders.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#90: The best systems have a failure or ‘a hole’ in them…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#99: Evolve according to changing needs.|#64: Arrange a distribution of forces.|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#54: What about disabled artists?|#55: Keep basic human needs on the forefront.|#28: Make Contracts.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#53: Immaterial support for artists is important.|#21: Live with the exhibition, spend time with it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#132: Things will always look weird when you’re the first doing it.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#84: The White Cube is a lie.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#119: Be a space of production.|#44: No name tags at dinner.|
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08.11.2019 20:00

film screenings

Pay what you can

Art cinema OFFoff presents:
Première Alexander Deprez: Gabriel Descending

Gabriel Descending, Alexander Deprez

—BE, 2019, 30’, color, digital

NL

Gabriel, a young concierge, seems to slowly sink into madness. But is that really the case? Or is he the one who sees what others refuse to see?

Alexander Deprez's voyeuristic and raw photographs often give an insight into his personal life. With Gabriel Descending he makes his debut as a filmmaker.

Ticket: 5 euro

For more information: https://offoff.be/events/gabriel-descending/

Gabriel Descending Fotokopie 1024x459