#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#119: Be a space of production.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#74: Last one out turns of the lights.|#26: More artists, less borders.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#14: Can you also remain a toddler institution?|#94: No objections? Just do it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#34: We pay artists.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#119: Be a space of production.|#51: How do we invite the true unknown?|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#64: Arrange a distribution of forces.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#74: Last one out turns of the lights.|
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16.11.2022 13:00

Lecture / Architecture

Pay what you can

Primary Talks: Bram Vanderbeke

PRIMARY TALKS is a series of free lectures organized as part of PRIMARY STRUCTURE, a masterclass about developing intelligent building structures. Students work from specific case studies, feasibility studies submitted by the practice or social necessity.

Lectures:

• Bram Vanderbeke, 16 November, 13:00
• Katja Mater, 30 November, 13:00


More info via: www.primarystructure.net

An initiative of GAFPA, led by Floris De Bruyn & Olivier Goethals. With the support of Ku Leuven, Faculty of architecture Sint-Lucas Ghent, Graphic design: atelier Haegeman Temmerman

PS Bram Vanderbeke