#36: We support production separately.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#26: More artists, less borders.|#19: Have fun at the exhibition.|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#107: Build a community / scene.|#16: Kunsthal Gent will always be a construction site.|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#89: Build-in impurity within the organisation.|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|#36: We support production separately.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#26: More artists, less borders.|#19: Have fun at the exhibition.|#28: Make Contracts.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#54: What about disabled artists?|#107: Build a community / scene.|#16: Kunsthal Gent will always be a construction site.|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#98: The success of it will not lie in the result but in the process.|#127: Remain practical: what happens to the work in an endless exhibition?|#90: The best systems have a failure or ‘a hole’ in them…|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#92: We’re a learning organisation.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#89: Build-in impurity within the organisation.|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|
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16.11.2022 13:00

Lecture / Architecture

Pay what you can

Primary Talks: Bram Vanderbeke

PRIMARY TALKS is a series of free lectures organized as part of PRIMARY STRUCTURE, a masterclass about developing intelligent building structures. Students work from specific case studies, feasibility studies submitted by the practice or social necessity.

Lectures:

• Bram Vanderbeke, 16 November, 13:00
• Katja Mater, 30 November, 13:00


More info via: www.primarystructure.net

An initiative of GAFPA, led by Floris De Bruyn & Olivier Goethals. With the support of Ku Leuven, Faculty of architecture Sint-Lucas Ghent, Graphic design: atelier Haegeman Temmerman

PS Bram Vanderbeke