#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#81: Things come alive when there is friction.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#98: The success of it will not lie in the result but in the process.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#20: Are exhibitions the most suitable form for the art that we present?|#91: Embrace doubt.|#92: We’re a learning organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#62: Be kind. Full dishwasher: empty it.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#124: Do less, do it better.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#81: Things come alive when there is friction.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#89: Build-in impurity within the organisation.|#2: Bring something new to the city of Ghent.|#82: Clean and sterile looks professional, but really boring.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#98: The success of it will not lie in the result but in the process.|#53: Immaterial support for artists is important.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#20: Are exhibitions the most suitable form for the art that we present?|#91: Embrace doubt.|#92: We’re a learning organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#62: Be kind. Full dishwasher: empty it.|#119: Be a space of production.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#112: Spaces today don’t need to be curated, but occupied.|#56: Take a lunch break.|#124: Do less, do it better.|#29: We make the program for the artist that we exhibit.|#37: Operate with radical transparency.|
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30.11.2022 13:00

Lecture / Architecture

Pay what you can

Primary Talks: Katja Mater

PRIMARY TALKS is a series of free lectures organized as part of PRIMARY STRUCTURE, a masterclass about developing intelligent building structures. Students work from specific case studies, feasibility studies submitted by the practice or social necessity.

Lectures:

• Bram Vanderbeke, 16 November, 13:00
• Katja Mater, 30 November, 13:00


More info via: www.primarystructure.net

An initiative of GAFPA, led by Floris De Bruyn & Olivier Goethals. With the support of Ku Leuven, Faculty of architecture Sint-Lucas Ghent, Graphic design: atelier Haegeman Temmerman

PS Katja Mater