#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#91: Embrace doubt.|#111: Do it together.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#26: More artists, less borders.|#132: Things will always look weird when you’re the first doing it.|#124: Do less, do it better.|#28: Make Contracts.|#17: An exhibition is never finished.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#35: The artist fee should be good.|#34: We pay artists.|#44: No name tags at dinner.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#91: Embrace doubt.|#111: Do it together.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#26: More artists, less borders.|#132: Things will always look weird when you’re the first doing it.|#124: Do less, do it better.|#28: Make Contracts.|#17: An exhibition is never finished.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#55: Keep basic human needs on the forefront.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#35: The artist fee should be good.|#34: We pay artists.|#44: No name tags at dinner.|#56: Take a lunch break.|#59: Always protect the floor when painting (or pouring concrete)|#29: We make the program for the artist that we exhibit.|
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30.11.2022 13:00

Lecture / Architecture

Pay what you can

Primary Talks: Katja Mater

PRIMARY TALKS is a series of free lectures organized as part of PRIMARY STRUCTURE, a masterclass about developing intelligent building structures. Students work from specific case studies, feasibility studies submitted by the practice or social necessity.

Lectures:

• Bram Vanderbeke, 16 November, 13:00
• Katja Mater, 30 November, 13:00


More info via: www.primarystructure.net

An initiative of GAFPA, led by Floris De Bruyn & Olivier Goethals. With the support of Ku Leuven, Faculty of architecture Sint-Lucas Ghent, Graphic design: atelier Haegeman Temmerman

PS Katja Mater