#124: Do less, do it better.|#94: No objections? Just do it.|#17: An exhibition is never finished.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#14: Can you also remain a toddler institution?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#36: We support production separately.|#137: Use the publication as programming space|#62: Be kind. Full dishwasher: empty it.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#105: Kunsthal Gent is local in scale, but globally connected.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#124: Do less, do it better.|#94: No objections? Just do it.|#17: An exhibition is never finished.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#14: Can you also remain a toddler institution?|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#117: Consider design, organisational structures and architecture as programme.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#36: We support production separately.|#137: Use the publication as programming space|#62: Be kind. Full dishwasher: empty it.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#105: Kunsthal Gent is local in scale, but globally connected.|#53: Immaterial support for artists is important.|#37: Operate with radical transparency.|#51: How do we invite the true unknown?|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|
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02.04.2021 20:00

Talk + listening session

Pay what you can

Ja Ja Ja Nee Nee Nee:
Radio as curating

Friday 2 April 2021, 20.00 - 21.30 (online, in English)
Ja Ja Ja Nee Nee Nee - Radio as curating

This evening, Arif Kornweitz and Radna Rumping talk about the radio platform Ja Ja Ja Nee Nee Nee and how it serves as a space for contemporary art practices. They will share their views on radio and speak about ways of incorporating diverse curatorial and artistic approaches into the medium. The talk will include fragments from the archive of jajajaneeneenee.com and is open to all.

Ja Ja Ja Nee Nee Nee, an online radio for the arts, offers an intimate space for radio with and by artists. Past broadcasts can be listened to in the archive at www.jajajaneeneenee.com, offering a combination of sound art, conversations and experimental formats. Next to that, the Ja Ja Ja Nee Nee Nee podcast hosts new contributions by artists in the form of voice memos.

Ja Ja Ja Nee Nee Nee started in February 2020 with their Development Fellowship at Kunsthal Gent and returned in March 2021. The work period is a moment for them to research their own voice.

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