#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#55: Keep basic human needs on the forefront.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#82: Clean and sterile looks professional, but really boring.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#137: Use the publication as programming space|#19: Have fun at the exhibition.|#132: Things will always look weird when you’re the first doing it.|#2: Bring something new to the city of Ghent.|#30: Don’t work with artists who are assholes.|#84: The White Cube is a lie.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#4: Pay what you can.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#119: Be a space of production.|#35: The artist fee should be good.|#20: Are exhibitions the most suitable form for the art that we present?|#53: Immaterial support for artists is important.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#99: Evolve according to changing needs.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#55: Keep basic human needs on the forefront.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#82: Clean and sterile looks professional, but really boring.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#137: Use the publication as programming space|#19: Have fun at the exhibition.|#132: Things will always look weird when you’re the first doing it.|#2: Bring something new to the city of Ghent.|#30: Don’t work with artists who are assholes.|#84: The White Cube is a lie.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#4: Pay what you can.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#90: The best systems have a failure or ‘a hole’ in them…|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#119: Be a space of production.|#35: The artist fee should be good.|
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02.04.2021 20:00

Talk + listening session

Pay what you can

Ja Ja Ja Nee Nee Nee:
Radio as curating

Friday 2 April 2021, 20.00 - 21.30 (online, in English)
Ja Ja Ja Nee Nee Nee - Radio as curating

This evening, Arif Kornweitz and Radna Rumping talk about the radio platform Ja Ja Ja Nee Nee Nee and how it serves as a space for contemporary art practices. They will share their views on radio and speak about ways of incorporating diverse curatorial and artistic approaches into the medium. The talk will include fragments from the archive of jajajaneeneenee.com and is open to all.

Ja Ja Ja Nee Nee Nee, an online radio for the arts, offers an intimate space for radio with and by artists. Past broadcasts can be listened to in the archive at www.jajajaneeneenee.com, offering a combination of sound art, conversations and experimental formats. Next to that, the Ja Ja Ja Nee Nee Nee podcast hosts new contributions by artists in the form of voice memos.

Ja Ja Ja Nee Nee Nee started in February 2020 with their Development Fellowship at Kunsthal Gent and returned in March 2021. The work period is a moment for them to research their own voice.

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