#54: What about disabled artists?|#56: Take a lunch break.|#6: Demand that visitors are active.|#119: Be a space of production.|#14: Can you also remain a toddler institution?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#99: Evolve according to changing needs.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|#28: Make Contracts.|#124: Do less, do it better.|#26: More artists, less borders.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#56: Take a lunch break.|#6: Demand that visitors are active.|#119: Be a space of production.|#14: Can you also remain a toddler institution?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#32: Be pan-gender polyphonic.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#44: No name tags at dinner.|#59: Always protect the floor when painting (or pouring concrete)|#15: Kunsthal Gent aims to be an extension of public space.|#81: Things come alive when there is friction.|#99: Evolve according to changing needs.|#55: Keep basic human needs on the forefront.|#10: Don’t be obsessed with numbers.|#28: Make Contracts.|#124: Do less, do it better.|#26: More artists, less borders.|#112: Spaces today don’t need to be curated, but occupied.|