#53: Immaterial support for artists is important.|#111: Do it together.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#40: Follow the artist|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#137: Use the publication as programming space|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#10: Don’t be obsessed with numbers.|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#105: Kunsthal Gent is local in scale, but globally connected.|#53: Immaterial support for artists is important.|#111: Do it together.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#40: Follow the artist|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#137: Use the publication as programming space|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#10: Don’t be obsessed with numbers.|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#105: Kunsthal Gent is local in scale, but globally connected.|