#53: Immaterial support for artists is important.|#111: Do it together.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#40: Follow the artist|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#137: Use the publication as programming space|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#10: Don’t be obsessed with numbers.|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#105: Kunsthal Gent is local in scale, but globally connected.|#53: Immaterial support for artists is important.|#111: Do it together.|#81: Things come alive when there is friction.|#19: Have fun at the exhibition.|#40: Follow the artist|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#137: Use the publication as programming space|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#39: Be the early stepping stone in an artist’s career|#74: Last one out turns of the lights.|#127: Remain practical: what happens to the work in an endless exhibition?|#132: Things will always look weird when you’re the first doing it.|#10: Don’t be obsessed with numbers.|#28: Make Contracts.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#91: Embrace doubt.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#51: How do we invite the true unknown?|#90: The best systems have a failure or ‘a hole’ in them…|#32: Be pan-gender polyphonic.|#105: Kunsthal Gent is local in scale, but globally connected.|
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02.04.2021 20:00

Talk + listening session

Pay what you can

Ja Ja Ja Nee Nee Nee:
Radio as curating

Friday 2 April 2021, 20.00 - 21.30 (online, in English)
Ja Ja Ja Nee Nee Nee - Radio as curating

This evening, Arif Kornweitz and Radna Rumping talk about the radio platform Ja Ja Ja Nee Nee Nee and how it serves as a space for contemporary art practices. They will share their views on radio and speak about ways of incorporating diverse curatorial and artistic approaches into the medium. The talk will include fragments from the archive of jajajaneeneenee.com and is open to all.

Ja Ja Ja Nee Nee Nee, an online radio for the arts, offers an intimate space for radio with and by artists. Past broadcasts can be listened to in the archive at www.jajajaneeneenee.com, offering a combination of sound art, conversations and experimental formats. Next to that, the Ja Ja Ja Nee Nee Nee podcast hosts new contributions by artists in the form of voice memos.

Ja Ja Ja Nee Nee Nee started in February 2020 with their Development Fellowship at Kunsthal Gent and returned in March 2021. The work period is a moment for them to research their own voice.

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