#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#19: Have fun at the exhibition.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#94: No objections? Just do it.|#17: An exhibition is never finished.|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#19: Have fun at the exhibition.|#99: Evolve according to changing needs.|#14: Can you also remain a toddler institution?|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#68: Once in a while we need to get out of utopia and get something done.|#117: Consider design, organisational structures and architecture as programme.|#37: Operate with radical transparency.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#59: Always protect the floor when painting (or pouring concrete)|#74: Last one out turns of the lights.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#94: No objections? Just do it.|#17: An exhibition is never finished.|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|#51: How do we invite the true unknown?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#54: What about disabled artists?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|