#4: Pay what you can.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#2: Bring something new to the city of Ghent.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#36: We support production separately.|#132: Things will always look weird when you’re the first doing it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#98: The success of it will not lie in the result but in the process.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#81: Things come alive when there is friction.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#84: The White Cube is a lie.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|#4: Pay what you can.|#119: Be a space of production.|#59: Always protect the floor when painting (or pouring concrete)|#107: Build a community / scene.|#2: Bring something new to the city of Ghent.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#36: We support production separately.|#132: Things will always look weird when you’re the first doing it.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#98: The success of it will not lie in the result but in the process.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#81: Things come alive when there is friction.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#26: More artists, less borders.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#84: The White Cube is a lie.|#35: The artist fee should be good.|#16: Kunsthal Gent will always be a construction site.|
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02.04.2021 20:00

Talk + listening session

Pay what you can

Ja Ja Ja Nee Nee Nee:
Radio as curating

Friday 2 April 2021, 20.00 - 21.30 (online, in English)
Ja Ja Ja Nee Nee Nee - Radio as curating

This evening, Arif Kornweitz and Radna Rumping talk about the radio platform Ja Ja Ja Nee Nee Nee and how it serves as a space for contemporary art practices. They will share their views on radio and speak about ways of incorporating diverse curatorial and artistic approaches into the medium. The talk will include fragments from the archive of jajajaneeneenee.com and is open to all.

Ja Ja Ja Nee Nee Nee, an online radio for the arts, offers an intimate space for radio with and by artists. Past broadcasts can be listened to in the archive at www.jajajaneeneenee.com, offering a combination of sound art, conversations and experimental formats. Next to that, the Ja Ja Ja Nee Nee Nee podcast hosts new contributions by artists in the form of voice memos.

Ja Ja Ja Nee Nee Nee started in February 2020 with their Development Fellowship at Kunsthal Gent and returned in March 2021. The work period is a moment for them to research their own voice.

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