#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#28: Make Contracts.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#111: Do it together.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#16: Kunsthal Gent will always be a construction site.|#119: Be a space of production.|#55: Keep basic human needs on the forefront.|#132: Things will always look weird when you’re the first doing it.|#19: Have fun at the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#40: Follow the artist|#26: More artists, less borders.|#137: Use the publication as programming space|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#28: Make Contracts.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#84: The White Cube is a lie.|#37: Operate with radical transparency.|#44: No name tags at dinner.|#111: Do it together.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#16: Kunsthal Gent will always be a construction site.|#119: Be a space of production.|#55: Keep basic human needs on the forefront.|#132: Things will always look weird when you’re the first doing it.|#19: Have fun at the exhibition.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#99: Evolve according to changing needs.|#40: Follow the artist|#26: More artists, less borders.|#137: Use the publication as programming space|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#35: The artist fee should be good.|
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02.04.2021 20:00

Talk + listening session

Pay what you can

Ja Ja Ja Nee Nee Nee:
Radio as curating

Friday 2 April 2021, 20.00 - 21.30 (online, in English)
Ja Ja Ja Nee Nee Nee - Radio as curating

This evening, Arif Kornweitz and Radna Rumping talk about the radio platform Ja Ja Ja Nee Nee Nee and how it serves as a space for contemporary art practices. They will share their views on radio and speak about ways of incorporating diverse curatorial and artistic approaches into the medium. The talk will include fragments from the archive of jajajaneeneenee.com and is open to all.

Ja Ja Ja Nee Nee Nee, an online radio for the arts, offers an intimate space for radio with and by artists. Past broadcasts can be listened to in the archive at www.jajajaneeneenee.com, offering a combination of sound art, conversations and experimental formats. Next to that, the Ja Ja Ja Nee Nee Nee podcast hosts new contributions by artists in the form of voice memos.

Ja Ja Ja Nee Nee Nee started in February 2020 with their Development Fellowship at Kunsthal Gent and returned in March 2021. The work period is a moment for them to research their own voice.

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