#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#94: No objections? Just do it.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#44: No name tags at dinner.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#94: No objections? Just do it.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#44: No name tags at dinner.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|