#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#56: Take a lunch break.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#21: Live with the exhibition, spend time with it.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#94: No objections? Just do it.|#119: Be a space of production.|#2: Bring something new to the city of Ghent.|#92: We’re a learning organisation.|#16: Kunsthal Gent will always be a construction site.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#29: We make the program for the artist that we exhibit.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#36: We support production separately.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#56: Take a lunch break.|#98: The success of it will not lie in the result but in the process.|#19: Have fun at the exhibition.|#89: Build-in impurity within the organisation.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#32: Be pan-gender polyphonic.|
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16.11.2018 00:00

Pay what you can

Reading (with) Abigail Child

We zijn verheugd Abigail Child te verwelkomen in ArtCinema OFFoff voor een programma van lezingen van haar experimenteel schrijven. Abigail Child is voornamelijk bekend voor haar werk als experimenteel filmmaakster. OFFoff zet zich in om de aandacht en interesse in haar oeuvre te verbreden naar haar experimenteel schrijven. Overtuigd over de relaties tussen tekst en cinema nodigen we jullie graag uit voor een avond met lezingen, van de hand van en gebracht door Abigail zelf.