#111: Do it together.|#30: Don’t work with artists who are assholes.|#6: Demand that visitors are active.|#119: Be a space of production.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#29: We make the program for the artist that we exhibit.|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#99: Evolve according to changing needs.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|#111: Do it together.|#30: Don’t work with artists who are assholes.|#6: Demand that visitors are active.|#119: Be a space of production.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#28: Make Contracts.|#74: Last one out turns of the lights.|#51: How do we invite the true unknown?|#137: Use the publication as programming space|#29: We make the program for the artist that we exhibit.|#65: No excuses: Thursday morning, team meeting.|#10: Don’t be obsessed with numbers.|#64: Arrange a distribution of forces.|#117: Consider design, organisational structures and architecture as programme.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#127: Remain practical: what happens to the work in an endless exhibition?|#37: Operate with radical transparency.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#32: Be pan-gender polyphonic.|#21: Live with the exhibition, spend time with it.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#99: Evolve according to changing needs.|#4: Pay what you can.|#90: The best systems have a failure or ‘a hole’ in them…|
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16.11.2018 00:00

Pay what you can

Reading (with) Abigail Child

We zijn verheugd Abigail Child te verwelkomen in ArtCinema OFFoff voor een programma van lezingen van haar experimenteel schrijven. Abigail Child is voornamelijk bekend voor haar werk als experimenteel filmmaakster. OFFoff zet zich in om de aandacht en interesse in haar oeuvre te verbreden naar haar experimenteel schrijven. Overtuigd over de relaties tussen tekst en cinema nodigen we jullie graag uit voor een avond met lezingen, van de hand van en gebracht door Abigail zelf.