#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#112: Spaces today don’t need to be curated, but occupied.|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#40: Follow the artist|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#28: Make Contracts.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#51: How do we invite the true unknown?|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#112: Spaces today don’t need to be curated, but occupied.|#61: No all male install teams.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#36: We support production separately.|#40: Follow the artist|#132: Things will always look weird when you’re the first doing it.|#30: Don’t work with artists who are assholes.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#4: Pay what you can.|#32: Be pan-gender polyphonic.|#2: Bring something new to the city of Ghent.|#65: No excuses: Thursday morning, team meeting.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#53: Immaterial support for artists is important.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#26: More artists, less borders.|#28: Make Contracts.|#37: Operate with radical transparency.|#81: Things come alive when there is friction.|#90: The best systems have a failure or ‘a hole’ in them…|#51: How do we invite the true unknown?|#68: Once in a while we need to get out of utopia and get something done.|#10: Don’t be obsessed with numbers.|
This website uses cookies to improve your user experience. More info

16.11.2018 00:00

Pay what you can

Reading (with) Abigail Child

We zijn verheugd Abigail Child te verwelkomen in ArtCinema OFFoff voor een programma van lezingen van haar experimenteel schrijven. Abigail Child is voornamelijk bekend voor haar werk als experimenteel filmmaakster. OFFoff zet zich in om de aandacht en interesse in haar oeuvre te verbreden naar haar experimenteel schrijven. Overtuigd over de relaties tussen tekst en cinema nodigen we jullie graag uit voor een avond met lezingen, van de hand van en gebracht door Abigail zelf.