#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#94: No objections? Just do it.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#44: No name tags at dinner.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|#35: The artist fee should be good.|#21: Live with the exhibition, spend time with it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#61: No all male install teams.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#59: Always protect the floor when painting (or pouring concrete)|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#53: Immaterial support for artists is important.|#137: Use the publication as programming space|#94: No objections? Just do it.|#14: Can you also remain a toddler institution?|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#4: Pay what you can.|#30: Don’t work with artists who are assholes.|#82: Clean and sterile looks professional, but really boring.|#112: Spaces today don’t need to be curated, but occupied.|#54: What about disabled artists?|#44: No name tags at dinner.|#26: More artists, less borders.|#99: Evolve according to changing needs.|#127: Remain practical: what happens to the work in an endless exhibition?|#105: Kunsthal Gent is local in scale, but globally connected.|#56: Take a lunch break.|
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16.11.2018 00:00

Pay what you can

Reading (with) Abigail Child

We zijn verheugd Abigail Child te verwelkomen in ArtCinema OFFoff voor een programma van lezingen van haar experimenteel schrijven. Abigail Child is voornamelijk bekend voor haar werk als experimenteel filmmaakster. OFFoff zet zich in om de aandacht en interesse in haar oeuvre te verbreden naar haar experimenteel schrijven. Overtuigd over de relaties tussen tekst en cinema nodigen we jullie graag uit voor een avond met lezingen, van de hand van en gebracht door Abigail zelf.