#44: No name tags at dinner.|#19: Have fun at the exhibition.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#28: Make Contracts.|#26: More artists, less borders.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#91: Embrace doubt.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#36: We support production separately.|#84: The White Cube is a lie.|#44: No name tags at dinner.|#19: Have fun at the exhibition.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#6: Demand that visitors are active.|#54: What about disabled artists?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#16: Kunsthal Gent will always be a construction site.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#28: Make Contracts.|#26: More artists, less borders.|#29: We make the program for the artist that we exhibit.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#91: Embrace doubt.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#62: Be kind. Full dishwasher: empty it.|#40: Follow the artist|#89: Build-in impurity within the organisation.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#36: We support production separately.|#84: The White Cube is a lie.|