#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#105: Kunsthal Gent is local in scale, but globally connected.|#89: Build-in impurity within the organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#2: Bring something new to the city of Ghent.|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#44: No name tags at dinner.|#54: What about disabled artists?|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#105: Kunsthal Gent is local in scale, but globally connected.|#89: Build-in impurity within the organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#2: Bring something new to the city of Ghent.|#30: Don’t work with artists who are assholes.|#36: We support production separately.|#29: We make the program for the artist that we exhibit.|#119: Be a space of production.|#94: No objections? Just do it.|#32: Be pan-gender polyphonic.|#44: No name tags at dinner.|#54: What about disabled artists?|#39: Be the early stepping stone in an artist’s career|#51: How do we invite the true unknown?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#92: We’re a learning organisation.|#127: Remain practical: what happens to the work in an endless exhibition?|
