#56: Take a lunch break.|#40: Follow the artist|#84: The White Cube is a lie.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#111: Do it together.|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#28: Make Contracts.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#20: Are exhibitions the most suitable form for the art that we present?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#65: No excuses: Thursday morning, team meeting.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#54: What about disabled artists?|#91: Embrace doubt.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#37: Operate with radical transparency.|#16: Kunsthal Gent will always be a construction site.|#44: No name tags at dinner.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#26: More artists, less borders.|#99: Evolve according to changing needs.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#35: The artist fee should be good.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#15: Kunsthal Gent aims to be an extension of public space.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#39: Be the early stepping stone in an artist’s career|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#34: We pay artists.|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|#19: Have fun at the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#56: Take a lunch break.|#40: Follow the artist|#84: The White Cube is a lie.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#30: Don’t work with artists who are assholes.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#29: We make the program for the artist that we exhibit.|#94: No objections? Just do it.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#111: Do it together.|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#4: Pay what you can.|#28: Make Contracts.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#20: Are exhibitions the most suitable form for the art that we present?|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#65: No excuses: Thursday morning, team meeting.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#54: What about disabled artists?|#91: Embrace doubt.|#74: Last one out turns of the lights.|#32: Be pan-gender polyphonic.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#51: How do we invite the true unknown?|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#62: Don’t be a dick. Full dishwasher: empty it.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#98: The success of it will not lie in the result but in the process.|#132: Things will always look weird when you’re the first doing it.|#53: Immaterial support for artists is important.|#59: Always protect the floor when painting (or pouring concrete)|#82: Clean and sterile looks professional, but really boring.|#64: Arrange a distribution of forces.|#37: Operate with radical transparency.|#16: Kunsthal Gent will always be a construction site.|#44: No name tags at dinner.|#90: The best systems have a failure or ‘a hole’ in them…|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#10: Don’t be obsessed with numbers.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#26: More artists, less borders.|#99: Evolve according to changing needs.|#6: Demand that visitors are active.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#81: Things come alive when there is friction.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#92: We’re a learning organisation.|#35: The artist fee should be good.|#68: Once in a while we need to get out of utopia and get something done.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#112: Spaces today don’t need to be curated, but occupied.|#15: Kunsthal Gent aims to be an extension of public space.|#17: An exhibition is never finished.|#127: Remain practical: what happens to the work in an endless exhibition?|#124: Do less, do it better.|#39: Be the early stepping stone in an artist’s career|#14: Can you also remain a toddler institution?|#119: Be a space of production.|#34: We pay artists.|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#2: Bring something new to the city of Ghent.|#19: Have fun at the exhibition.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|
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26—29.10.20

Event

Multi-day event:
Re-enchanting the World with Silvia Federici

Re-enchanting The World with Silvia Federici
26, 28 and 29 October
Ghent University / Vooruit / OFFoff Art Cinema + Kunsthal Gent

On 26, 28 and 29 October, Gent University, Vooruit, OFFoff Art cinema + Kunsthal Gent and are joining forces to host a multi day event with feminist activist, writer and teacher Silvia Federici, renowned for her research and activism at the intersection of women’s, anti-capitalist, and anti-colonial struggles. Silvia Federici will join online while we will gather physically at OFFoff art cinema / Kunsthal Ghent and Vooruit.

On Monday 26/10, a film selected by Silvia Federici will be on the program at Art cinema OFFoff: Night Cleaners, with a video introduction by Silvia Federici and artist Jesse Jones (Syllabus).

On Wednesday 28/10 Silvia Federici will give a streamed lecture that you can attend physically in Vooruit's theatre, or follow online: Rethinking and Restructuring Social Reproduction In times of Racist Violence and Global Epidemics. Engagement Gent meets at Kunsthal Gent that evening, where the live stream will also be available.

On Thursday 29/10 Silvia Federici will join us for an intimate online workshop (deadline for participation closed on 2 October.) Contrary to previous announcements, the workshop will take place entirely online. In small groups, we aim to build a toolkit in relation to the urgent questions of this moment of global crisis and opportunities for a new common living environment. With a shared reading session, a digital dinner during which (food) stories are shared, an extensive contribution by Silvia Federici and even a live virtual babysitter. (More info below.)

Organisers: Omar Jabary Salamanca (ULB), Julie Carlier (UGent), Siggie Vertommen (UGent), Danielle van Zuijlen (Kunsthal Gent), Jesse Jones (artist).

Corona measures will be followed strictly.



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Workshop with Silvia Federici: 29 October, 17:00 - 23:00
Max 30 participants, online, apply by 2 October


We invite scholars, artists, and/or activists in Belgium with an interest in feminism, anti-racism and/or agro-ecology for an evening of joyful militancy* on how we can collectively re-enchant the world**, and re-imagine and re-build communal infrastructures of life and social reproduction. Via shared reading session, a digital dinner during which (food) stories are shared, an extensive contribution by Silvia Federici, we aim to build a toolkit in relation to the urgent questions of this moment of global crisis and opportunities for a new common living environment.

* On Joyful Militancy, afterword, Beyond the Periphery of the Skin, Silvia Federici, 2020
** Re-enchanting the World: Feminism and the Politics of the Commons, Silvia Federici, 2018


Covid 19 and the measures that are being taken to stop this pandemic are firmly affecting the lives of peoples and communities in and across Belgium, albeit not in even ways. As our homes are transforming into permanent zoom-offices and home-schooling units, there is a politics of labour emerging from the pandemic that deepens historic inequalities of class, race and gender. Women are still bearing the brunt of the domestic and care work on top of their other work shifts, while the non-teleworkable work of cleaning hospitals, stocking supermarket shelves, and nursing sick patients- often performed by people of colour, is mostly undervalued and precarious despite being deemed ‘essential’. Poorer urban communities who have less access to private gardens and swimming pools and are dependent on the public sphere for survival and leisure, are increasingly subjected to police violence and surveillance.

As Covid 19 is enforcing new enclosures of public services and spaces, we urgently need new commons to re-organise our care, health, housing, food and life in general. During this transdisciplinary workshop with Silvia Federici we will use the lens of social reproduction (i.e. the work of keeping people alive and healthy on a daily and intergenerational basis) to understand and resist the graduated ways in which a supposedly gender- and colour-blind virus affects and targets communities in and across Belgium.

If you would like to participate in the workshop, send us a short bio and motivation with examples of the themes you would like to discuss via Google Form by 2 October.

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