#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#29: We make the program for the artist that we exhibit.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#82: Clean and sterile looks professional, but really boring.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#10: Don’t be obsessed with numbers.|#81: Things come alive when there is friction.|#34: We pay artists.|#17: An exhibition is never finished.|#35: The artist fee should be good.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#137: Use the publication as programming space|#14: Can you also remain a toddler institution?|#29: We make the program for the artist that we exhibit.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#117: Consider design, organisational structures and architecture as programme.|#94: No objections? Just do it.|#82: Clean and sterile looks professional, but really boring.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#21: Live with the exhibition, spend time with it.|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#32: Be pan-gender polyphonic.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#105: Kunsthal Gent is local in scale, but globally connected.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#10: Don’t be obsessed with numbers.|#81: Things come alive when there is friction.|#34: We pay artists.|#17: An exhibition is never finished.|#35: The artist fee should be good.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#30: Don’t work with artists who are assholes.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|