#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#40: Follow the artist|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#2: Bring something new to the city of Ghent.|#74: Last one out turns of the lights.|#111: Do it together.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#36: We support production separately.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#40: Follow the artist|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#2: Bring something new to the city of Ghent.|#74: Last one out turns of the lights.|#111: Do it together.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#36: We support production separately.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|
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25.10.2018 00:00

Residency models: De Koer, STRT KIT, Cas-co – and Kunsthal Ghent

Pay what you can

Workshop:
Residency Models

With: Tim Bruggeman (De Koer) & Elien Ronse; Isabel Van Bos (STRT KIT) & Ode de Kort; Josine De Roover (Cas-co) & Manuel Penteado; Danielle van Zuijlen (Kunsthal Gent) & welcome at the table

A roundtable talk on residency models, in function of the new development platform that will be launched as part of Kunsthal Gent from February 2019. Short presentations by 3 residency programs will be followed by the story of an artist who worked there, so that both the perspective of the organization and that of the artist are on the table.

After the presentations we will discuss which elements are important for a residency program within Kunsthal Gent. Artists are invited to join and share their expectations of this new development platform.