#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#6: Demand that visitors are active.|#4: Pay what you can.|#89: Build-in impurity within the organisation.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#92: We’re a learning organisation.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#39: Be the early stepping stone in an artist’s career|#105: Kunsthal Gent is local in scale, but globally connected.|#91: Embrace doubt.|#124: Do less, do it better.|#61: No all male install teams.|#51: How do we invite the true unknown?|#30: Don’t work with artists who are assholes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#26: More artists, less borders.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#6: Demand that visitors are active.|#4: Pay what you can.|#89: Build-in impurity within the organisation.|#137: Use the publication as programming space|#117: Consider design, organisational structures and architecture as programme.|#92: We’re a learning organisation.|#32: Be pan-gender polyphonic.|#132: Things will always look weird when you’re the first doing it.|#39: Be the early stepping stone in an artist’s career|#105: Kunsthal Gent is local in scale, but globally connected.|#91: Embrace doubt.|#124: Do less, do it better.|#61: No all male install teams.|#51: How do we invite the true unknown?|#30: Don’t work with artists who are assholes.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#26: More artists, less borders.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|