#2: Bring something new to the city of Ghent.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#10: Don’t be obsessed with numbers.|#34: We pay artists.|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#107: Build a community / scene.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#84: The White Cube is a lie.|#89: Build-in impurity within the organisation.|#39: Be the early stepping stone in an artist’s career|#111: Do it together.|#40: Follow the artist|#62: Be kind. Full dishwasher: empty it.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#35: The artist fee should be good.|#2: Bring something new to the city of Ghent.|#36: We support production separately.|#105: Kunsthal Gent is local in scale, but globally connected.|#10: Don’t be obsessed with numbers.|#34: We pay artists.|#61: No all male install teams.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#107: Build a community / scene.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#84: The White Cube is a lie.|#89: Build-in impurity within the organisation.|#39: Be the early stepping stone in an artist’s career|#111: Do it together.|#40: Follow the artist|#62: Be kind. Full dishwasher: empty it.|#32: Be pan-gender polyphonic.|#64: Arrange a distribution of forces.|#127: Remain practical: what happens to the work in an endless exhibition?|#112: Spaces today don’t need to be curated, but occupied.|#16: Kunsthal Gent will always be a construction site.|#35: The artist fee should be good.|
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25.10.2018 00:00

Residency models: De Koer, STRT KIT, Cas-co – and Kunsthal Ghent

Pay what you can

Workshop:
Residency Models

With: Tim Bruggeman (De Koer) & Elien Ronse; Isabel Van Bos (STRT KIT) & Ode de Kort; Josine De Roover (Cas-co) & Manuel Penteado; Danielle van Zuijlen (Kunsthal Gent) & welcome at the table

A roundtable talk on residency models, in function of the new development platform that will be launched as part of Kunsthal Gent from February 2019. Short presentations by 3 residency programs will be followed by the story of an artist who worked there, so that both the perspective of the organization and that of the artist are on the table.

After the presentations we will discuss which elements are important for a residency program within Kunsthal Gent. Artists are invited to join and share their expectations of this new development platform.