#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#40: Follow the artist|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#2: Bring something new to the city of Ghent.|#74: Last one out turns of the lights.|#111: Do it together.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#36: We support production separately.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|#16: Kunsthal Gent will always be a construction site.|#15: Kunsthal Gent aims to be an extension of public space.|#40: Follow the artist|#64: Arrange a distribution of forces.|#91: Embrace doubt.|#117: Consider design, organisational structures and architecture as programme.|#124: Do less, do it better.|#32: Be pan-gender polyphonic.|#81: Things come alive when there is friction.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#2: Bring something new to the city of Ghent.|#74: Last one out turns of the lights.|#111: Do it together.|#89: Build-in impurity within the organisation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#53: Immaterial support for artists is important.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#36: We support production separately.|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#98: The success of it will not lie in the result but in the process.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#44: No name tags at dinner.|