#36: We support production separately.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#112: Spaces today don’t need to be curated, but occupied.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#65: No excuses: Thursday morning, team meeting.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#98: The success of it will not lie in the result but in the process.|#17: An exhibition is never finished.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|#36: We support production separately.|#74: Last one out turns of the lights.|#29: We make the program for the artist that we exhibit.|#44: No name tags at dinner.|#112: Spaces today don’t need to be curated, but occupied.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#65: No excuses: Thursday morning, team meeting.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#53: Immaterial support for artists is important.|#54: What about disabled artists?|#105: Kunsthal Gent is local in scale, but globally connected.|#10: Don’t be obsessed with numbers.|#14: Can you also remain a toddler institution?|#98: The success of it will not lie in the result but in the process.|#17: An exhibition is never finished.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#35: The artist fee should be good.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#61: No all male install teams.|#117: Consider design, organisational structures and architecture as programme.|#62: Be kind. Full dishwasher: empty it.|#30: Don’t work with artists who are assholes.|#32: Be pan-gender polyphonic.|
This website uses cookies to improve your user experience. More info

25.10.2018 00:00

Residency models: De Koer, STRT KIT, Cas-co – and Kunsthal Ghent

Pay what you can

Workshop:
Residency Models

With: Tim Bruggeman (De Koer) & Elien Ronse; Isabel Van Bos (STRT KIT) & Ode de Kort; Josine De Roover (Cas-co) & Manuel Penteado; Danielle van Zuijlen (Kunsthal Gent) & welcome at the table

A roundtable talk on residency models, in function of the new development platform that will be launched as part of Kunsthal Gent from February 2019. Short presentations by 3 residency programs will be followed by the story of an artist who worked there, so that both the perspective of the organization and that of the artist are on the table.

After the presentations we will discuss which elements are important for a residency program within Kunsthal Gent. Artists are invited to join and share their expectations of this new development platform.