#36: We support production separately.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#26: More artists, less borders.|#28: Make Contracts.|#14: Can you also remain a toddler institution?|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#4: Pay what you can.|#36: We support production separately.|#74: Last one out turns of the lights.|#54: What about disabled artists?|#35: The artist fee should be good.|#127: Remain practical: what happens to the work in an endless exhibition?|#21: Live with the exhibition, spend time with it.|#68: Once in a while we need to get out of utopia and get something done.|#61: No all male install teams.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#99: Evolve according to changing needs.|#117: Consider design, organisational structures and architecture as programme.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#26: More artists, less borders.|#28: Make Contracts.|#14: Can you also remain a toddler institution?|#105: Kunsthal Gent is local in scale, but globally connected.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#90: The best systems have a failure or ‘a hole’ in them…|#132: Things will always look weird when you’re the first doing it.|#59: Always protect the floor when painting (or pouring concrete)|#32: Be pan-gender polyphonic.|#4: Pay what you can.|
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25.10.2018 00:00

Residency models: De Koer, STRT KIT, Cas-co – and Kunsthal Ghent

Pay what you can

Workshop:
Residency Models

With: Tim Bruggeman (De Koer) & Elien Ronse; Isabel Van Bos (STRT KIT) & Ode de Kort; Josine De Roover (Cas-co) & Manuel Penteado; Danielle van Zuijlen (Kunsthal Gent) & welcome at the table

A roundtable talk on residency models, in function of the new development platform that will be launched as part of Kunsthal Gent from February 2019. Short presentations by 3 residency programs will be followed by the story of an artist who worked there, so that both the perspective of the organization and that of the artist are on the table.

After the presentations we will discuss which elements are important for a residency program within Kunsthal Gent. Artists are invited to join and share their expectations of this new development platform.