#6: Demand that visitors are active.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#26: More artists, less borders.|#56: Take a lunch break.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#17: An exhibition is never finished.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#40: Follow the artist|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#107: Build a community / scene.|#6: Demand that visitors are active.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#59: Always protect the floor when painting (or pouring concrete)|#29: We make the program for the artist that we exhibit.|#111: Do it together.|#26: More artists, less borders.|#56: Take a lunch break.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#17: An exhibition is never finished.|#16: Kunsthal Gent will always be a construction site.|#64: Arrange a distribution of forces.|#40: Follow the artist|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#92: We’re a learning organisation.|#55: Keep basic human needs on the forefront.|#61: No all male install teams.|#53: Immaterial support for artists is important.|#107: Build a community / scene.|
