#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#17: An exhibition is never finished.|#92: We’re a learning organisation.|#98: The success of it will not lie in the result but in the process.|#119: Be a space of production.|#64: Arrange a distribution of forces.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#6: Demand that visitors are active.|#26: More artists, less borders.|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#32: Be pan-gender polyphonic.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|#34: We pay artists.|#90: The best systems have a failure or ‘a hole’ in them…|#54: What about disabled artists?|#17: An exhibition is never finished.|#92: We’re a learning organisation.|#98: The success of it will not lie in the result but in the process.|#119: Be a space of production.|#64: Arrange a distribution of forces.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#16: Kunsthal Gent will always be a construction site.|#20: Are exhibitions the most suitable form for the art that we present?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#6: Demand that visitors are active.|#26: More artists, less borders.|#65: No excuses: Thursday morning, team meeting.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#61: No all male install teams.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#32: Be pan-gender polyphonic.|#4: Pay what you can.|#117: Consider design, organisational structures and architecture as programme.|#84: The White Cube is a lie.|
