Kunsthal Gent | Sc(è)ene #10: Radiante - Raúl Hott & Maria Muehombo

#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|#4: Pay what you can.|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#40: Follow the artist|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#127: Remain practical: what happens to the work in an endless exhibition?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#98: The success of it will not lie in the result but in the process.|#34: We pay artists.|#4: Pay what you can.|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#61: No all male install teams.|#89: Build-in impurity within the organisation.|#40: Follow the artist|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#84: The White Cube is a lie.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#26: More artists, less borders.|#37: Operate with radical transparency.|#6: Demand that visitors are active.|#28: Make Contracts.|#132: Things will always look weird when you’re the first doing it.|

05—06.11.2022 11:00

Installation / project presentation

Pay what you can

Sc(è)ene #10: Radiante - Raúl Hott & Maria Muehombo