#20: Are exhibitions the most suitable form for the art that we present?|#54: What about disabled artists?|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#62: Be kind. Full dishwasher: empty it.|#2: Bring something new to the city of Ghent.|#16: Kunsthal Gent will always be a construction site.|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#44: No name tags at dinner.|#112: Spaces today don’t need to be curated, but occupied.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|#20: Are exhibitions the most suitable form for the art that we present?|#54: What about disabled artists?|#91: Embrace doubt.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#117: Consider design, organisational structures and architecture as programme.|#53: Immaterial support for artists is important.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#29: We make the program for the artist that we exhibit.|#62: Be kind. Full dishwasher: empty it.|#2: Bring something new to the city of Ghent.|#16: Kunsthal Gent will always be a construction site.|#19: Have fun at the exhibition.|#98: The success of it will not lie in the result but in the process.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#44: No name tags at dinner.|#112: Spaces today don’t need to be curated, but occupied.|#30: Don’t work with artists who are assholes.|#99: Evolve according to changing needs.|#21: Live with the exhibition, spend time with it.|#127: Remain practical: what happens to the work in an endless exhibition?|#17: An exhibition is never finished.|
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26.11.2021 19:30

Performance

Pay what you can

NEIN PRESENTS:
Sc(è)ene 2 - Sigrid Stigsdatter Mathiassen, Mustaf Ahmeti, Ada Güvenir, Sven Spur

Sigrid Stigsdatter Mathiassen - Cold Hawaii

Performance

Mustaf Ahmeti - The body as an archive

Ada Güvenir - Would You Please?

Sven Spur - Eden

Doors 19:30
Showtime 20:00

Nein will organize a monthly happening alternately in Kunsthal Gent & CAMPO. Where work by artists from all different disciplines is presented or combined!

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