Sc(è)ene #9: Howling Days

#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#37: Operate with radical transparency.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#37: Operate with radical transparency.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|

21—22.10.2022 11:00

Nein stelt voor: een 2-daags minifestival

Pay what you can

Sc(è)ene #9: Howling Days