#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#37: Operate with radical transparency.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|#82: Clean and sterile looks professional, but really boring.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#68: Once in a while we need to get out of utopia and get something done.|#16: Kunsthal Gent will always be a construction site.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#64: Arrange a distribution of forces.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#98: The success of it will not lie in the result but in the process.|#54: What about disabled artists?|#37: Operate with radical transparency.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#19: Have fun at the exhibition.|#105: Kunsthal Gent is local in scale, but globally connected.|#127: Remain practical: what happens to the work in an endless exhibition?|#15: Kunsthal Gent aims to be an extension of public space.|#117: Consider design, organisational structures and architecture as programme.|#28: Make Contracts.|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#56: Take a lunch break.|#132: Things will always look weird when you’re the first doing it.|
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21—22.10.2022 11:00

Nein stelt voor: een 2-daags minifestival

Pay what you can

Sc(è)ene #9: Howling Days

Nein presents: a 2-day minifestival at CAMPO Victoria and Kunsthal Gent starring various dimensions of the voice. Featuring: Colin Self, Stina Fors, The Zangles, Mirabella Paidamwoyo* dziruni, Hyeji Nam, MSTEAZAH, Enesi M.

KUNSTHAL GENT
Schermafbeelding 2022 10 09 om 13 08 46
Colin Self (USA) - XOIR

Friday October 21st - 11:00 - Kunsthal Gent - Workshop

Colin Self commutes between Berlin and New York and has collaborated with several artists (a.o. Holly herdon) Collin also made his own albums (Siblings, Orphans EP) and worked on several performances. With XOIR, he offers an alternative group singing class for anyone interested in exploring their voice!

Send an email with your name and Phone Number to Neinarts@gmail.com to join.
More info
: Facebookevent


Csm 2020 HUGGY BEARS c Joe Albrecht 110 293a650030
Mirabella Paidamwoyo* dziruni, Hyeji Nam, MSTEAZAH, Enesi M. - ZENSITIVE (performance)

Saturday October 22nd - 17:00 - Kunsthal Gent - Performance

Zensitive is a meditative experience composed with sound, visual art, body and breath that puts the performers and the audience in the state of euphoria and dysphoria.

The emphasis is on the ritual aspect of bodies, bodies that are an object, a sculpture, an abstraction of emotions and perceptions. Zensitive invites performers and audience to interact and practice slowing down.

CAMPO VICTORIA
Stina fors c franzi kreis 2
Stina Fors (SE) - A Mouthful of Tongues

Friday October 21st - 8:30 p.m. - CAMPO Victoria - Performance

Stina Fors is a choreographer, performer, drummer and singer.

In the performance A Mouthful of Tongues, the mouth becomes the theater. Experimental vocal techniques such as growling, ventriloquism, tongue exercises, dinosaur sounds and more create a journey in which many bodies and sounds are brought into dissociative relationships


Zangles
The Zangles

Friday October 21st - 9:45 p.m. - CAMPO Victoria - Performance

The Zangles is an international group of female artists, theater makers and musicians based in Antwerp. 9 female egos with big ideas and small voices combine their vocal urges: will it be a musical? Will it be a raffle? Nobody knows! One thing is certain: it will be much fuss about nothing.

Info & tickets: https://www.campo.nu

With the support of the Flemish Government

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