#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#91: Embrace doubt.|#74: Last one out turns of the lights.|#26: More artists, less borders.|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#94: No objections? Just do it.|#119: Be a space of production.|#92: We’re a learning organisation.|#36: We support production separately.|#112: Spaces today don’t need to be curated, but occupied.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#111: Do it together.|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#39: Be the early stepping stone in an artist’s career|#55: Keep basic human needs on the forefront.|#21: Live with the exhibition, spend time with it.|#105: Kunsthal Gent is local in scale, but globally connected.|#107: Build a community / scene.|#132: Things will always look weird when you’re the first doing it.|#91: Embrace doubt.|#74: Last one out turns of the lights.|#26: More artists, less borders.|#16: Kunsthal Gent will always be a construction site.|#51: How do we invite the true unknown?|#127: Remain practical: what happens to the work in an endless exhibition?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#64: Arrange a distribution of forces.|#94: No objections? Just do it.|#119: Be a space of production.|#92: We’re a learning organisation.|#36: We support production separately.|#112: Spaces today don’t need to be curated, but occupied.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#81: Things come alive when there is friction.|#111: Do it together.|#56: Take a lunch break.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|
