#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#62: Don’t be a dick. Full dishwasher: empty it.|#119: Be a space of production.|#89: Build-in impurity within the organisation.|#94: No objections? Just do it.|#40: Follow the artist|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#84: The White Cube is a lie.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#28: Make Contracts.|#10: Don’t be obsessed with numbers.|#16: Kunsthal Gent will always be a construction site.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#32: Be pan-gender polyphonic.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#55: Keep basic human needs on the forefront.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#29: We make the program for the artist that we exhibit.|#132: Things will always look weird when you’re the first doing it.|#62: Don’t be a dick. Full dishwasher: empty it.|#119: Be a space of production.|#89: Build-in impurity within the organisation.|#94: No objections? Just do it.|#40: Follow the artist|#19: Have fun at the exhibition.|#127: Remain practical: what happens to the work in an endless exhibition?|#84: The White Cube is a lie.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#91: Embrace doubt.|#28: Make Contracts.|#10: Don’t be obsessed with numbers.|#16: Kunsthal Gent will always be a construction site.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#20: Are exhibitions the most suitable form for the art that we present?|#32: Be pan-gender polyphonic.|
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27.03.2021 13:00

in collaboration with KASK students

Pay what you can

STATE OF THE ARTS PRESENTS:
SOTA FAIR ARTS ALMANAC 2022

Out of Order Contemplations: proposals for a future class

March is the month of struggle. Does the existing art education system adequately prepare students for the challenges of living as an artist after graduation? We won’t just discuss this big question with long keynotes. Instead we open an alternative school for one day with workshops that address practical and theoretical tools we miss in education today. From dealing with finances to empowerment through solidarity to activating our political potential, let's think together. A new curriculum aimed at fostering a sustainable and rewarding creative life is brought into being.

Saturday, 27th of March, 13.00 – 18.00
Location: Online via zoom, you will receive the link after registration.

Part of SOTA Fair Arts Almanac 2022
KASK students in collaboration with State Of The Arts (SOTA)

WORKSHOPS

1. ECOLOGY
The ecology of art practices are not unlike forests, functioning through a web of interconnection and activities between other artists, institutions, schools, economies, politics, and human relations (including self-care) that support us through the emotional tumult of creative life.

We invite participants to reflect on this idea, first mapping out on paper our personal ecology, to then share and contrast with other peers reflections on the diversity of ecologies and identify what feels lacking. We offer each other ideas on how to nurture our individual and collective ecologies through personal experiences and ingenuity.

As a utopian exercise, we also work with our imagination to conceptualise a world unconstrained by present-day realities, in which art practices can prosper and grow sustainably.

2. MONEY
MONEY MONEY MONEY! Often the biggest source of stress for anyone trying to live and work as an artist, and yet also a topic that seemingly should be avoided in polite conversation. In this workshop we want to break this unwritten rule and start talking with each other about money: how to deal with it, how to deal without it, and how to deal with the feelings around it. In three interactive parts, we will work collectively on finding ways to reshape our relationship to money without selling our souls, and plant the seeds for new realities.

What role can you play? Testing, switching, and repositioning roles artists face in relation to money in their creative life.

The question of value: What is my art worth? Practical group exercise about how to value our work and ourselves – Feel free to bring a work you would like to use as an example.

Another economy is possible. We share examples of existing projects and initiatives that deal with money in a different way, and discuss what elements might work in our own networks.

3. POLITICS
Being seen and being heard, individually and collectively. Experiencing connection through realising the shared views of different people. Seeing our similarities through defining and speaking out for ourselves.

In this workshop we reach out to the legislators of Belgium, to our fellow community members, and to ourselves through letters. We stop waiting for the right time to speak up and for someone else to put into words what we are thinking, feeling and experiencing.

We see writing as a political act and a tool against the tyrannies that mute us. Our goal is to become part of the shared consciousness, to have individual voices heard, and to work against the depersonalisation of the artist worker.

4. BACK TO THE FUTURE
An open workshop for everyone. It allows perspectives from students to mingle with perspectives from people who went through art school and who look back at this experience. In that way, we try to formulate what is missing in art education. The 4th room is a pool to discuss the main questions we address at the start of the day and will float between small exercises, exchanging of experiences, brainstorming and text generating. It can also become philosophical about the role of art in society.

SOTA Fair Arts Almanac 2022

State Of The Arts (SOTA) is an open platform reimagining the art world today. We believe the transition of an art world towards more fair practice can also serve as a catalyst for genuine change in society at large.

In 2019 SOTA published the first Fair Arts Almanac. The content of the book was generated during a week long summer camp in 2018 with about 70 contributors. The compilation of various articles in this first edition was deliberately open for debate and associative, with a lot of contradictions, loose ends and inconsistencies.

In 2021, SOTA will set out a series of daylong encounters, organized each last Saturday of the month on another location in Belgium and about a different topic - or question that lives within the art world these days. These issues are distributed over the calendar of the full year, taking the sensibilities of the various seasons into account.

Header poster