#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#40: Follow the artist|#127: Remain practical: what happens to the work in an endless exhibition?|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#28: Make Contracts.|#111: Do it together.|#17: An exhibition is never finished.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#107: Build a community / scene.|#92: We’re a learning organisation.|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#81: Things come alive when there is friction.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#117: Consider design, organisational structures and architecture as programme.|#34: We pay artists.|#40: Follow the artist|#127: Remain practical: what happens to the work in an endless exhibition?|#51: How do we invite the true unknown?|#105: Kunsthal Gent is local in scale, but globally connected.|#28: Make Contracts.|#111: Do it together.|#17: An exhibition is never finished.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#54: What about disabled artists?|#10: Don’t be obsessed with numbers.|#124: Do less, do it better.|#107: Build a community / scene.|#92: We’re a learning organisation.|#53: Immaterial support for artists is important.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#19: Have fun at the exhibition.|#2: Bring something new to the city of Ghent.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#81: Things come alive when there is friction.|
