#15: Kunsthal Gent aims to be an extension of public space.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#34: We pay artists.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#54: What about disabled artists?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#119: Be a space of production.|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#124: Do less, do it better.|#6: Demand that visitors are active.|#4: Pay what you can.|#64: Arrange a distribution of forces.|#15: Kunsthal Gent aims to be an extension of public space.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#111: Do it together.|#34: We pay artists.|#36: We support production separately.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#54: What about disabled artists?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#61: No all male install teams.|#119: Be a space of production.|#94: No objections? Just do it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#137: Use the publication as programming space|#53: Immaterial support for artists is important.|#17: An exhibition is never finished.|#105: Kunsthal Gent is local in scale, but globally connected.|#89: Build-in impurity within the organisation.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#124: Do less, do it better.|#6: Demand that visitors are active.|#4: Pay what you can.|#64: Arrange a distribution of forces.|
