#54: What about disabled artists?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#35: The artist fee should be good.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Be kind. Full dishwasher: empty it.|#28: Make Contracts.|#19: Have fun at the exhibition.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|#54: What about disabled artists?|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#44: No name tags at dinner.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#21: Live with the exhibition, spend time with it.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#17: An exhibition is never finished.|#15: Kunsthal Gent aims to be an extension of public space.|#35: The artist fee should be good.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#62: Be kind. Full dishwasher: empty it.|#28: Make Contracts.|#19: Have fun at the exhibition.|#120: The new type of art institute cannot merely be an art museum as it has been until now, but no museum at all. The new type will be more like a power station, a producer of new energy.|#65: No excuses: Thursday morning, team meeting.|#59: Always protect the floor when painting (or pouring concrete)|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#40: Follow the artist|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#137: Use the publication as programming space|#2: Bring something new to the city of Ghent.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#90: The best systems have a failure or ‘a hole’ in them…|#20: Are exhibitions the most suitable form for the art that we present?|
This website uses cookies to improve your user experience. More info

01.10.2021 20:00

Documentary and conversation

Pay what you can

KONT magazine presents:
Staying with The Tides

KONT, the annual magazine and at the same time nomadic, artistic vehicle based in Eindhoven (founded by the Belgian artist Griet Menschaert) will be showing its documentary 'Staying With The Tides/Bij de getijden blijven' at Kunsthal Gent. The title of the documentary is a reference to Donna Haraway's famous book 'Staying With The Trouble'.

The tides are fluid, so is KONT. In 2021, KONT exists for 5 years. With this documentary, KONT would like to mark what its movement has been striving for all this time. It also questions how to continue from this point. Therefore, there will be a conversation after the documentary on what KONT is, was and can become, together with people who have been involved over the years and guests.

The documentary is a realization of documentary film maker, designer and musician Floor Hofman.

The documentary features Koosje Hamerslag (Pseud.), Griet Menschaert, Annegret Bönemann, Lars Leeuw, Casper Fitzhue, Charles Esche, Wessel Verrijt and Simón Andrés Soto Ochoa.

Staying With The Tide 0