#131: A visitor who comes back after a week might discover new additions to the exhibition.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#92: We’re a learning organisation.|#84: The White Cube is a lie.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|#35: The artist fee should be good.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#111: Do it together.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#61: No all male install teams.|#32: Be pan-gender polyphonic.|#20: Are exhibitions the most suitable form for the art that we present?|#14: Can you also remain a toddler institution?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#89: Build-in impurity within the organisation.|#107: Build a community / scene.|#92: We’re a learning organisation.|#84: The White Cube is a lie.|#56: Take a lunch break.|#90: The best systems have a failure or ‘a hole’ in them…|#137: Use the publication as programming space|#51: How do we invite the true unknown?|#40: Follow the artist|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#81: Things come alive when there is friction.|#35: The artist fee should be good.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#119: Be a space of production.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#111: Do it together.|
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01.10.2021 20:00

Documentary and conversation

Pay what you can

KONT magazine presents:
Staying with The Tides

KONT, the annual magazine and at the same time nomadic, artistic vehicle based in Eindhoven (founded by the Belgian artist Griet Menschaert) will be showing its documentary 'Staying With The Tides/Bij de getijden blijven' at Kunsthal Gent. The title of the documentary is a reference to Donna Haraway's famous book 'Staying With The Trouble'.

The tides are fluid, so is KONT. In 2021, KONT exists for 5 years. With this documentary, KONT would like to mark what its movement has been striving for all this time. It also questions how to continue from this point. Therefore, there will be a conversation after the documentary on what KONT is, was and can become, together with people who have been involved over the years and guests.

The documentary is a realization of documentary film maker, designer and musician Floor Hofman.

The documentary features Koosje Hamerslag (Pseud.), Griet Menschaert, Annegret Bönemann, Lars Leeuw, Casper Fitzhue, Charles Esche, Wessel Verrijt and Simón Andrés Soto Ochoa.

Staying With The Tide 0