#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#15: Kunsthal Gent aims to be an extension of public space.|#132: Things will always look weird when you’re the first doing it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#40: Follow the artist|#19: Have fun at the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#124: Do less, do it better.|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|#29: We make the program for the artist that we exhibit.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#36: We support production separately.|#21: Live with the exhibition, spend time with it.|#35: The artist fee should be good.|#82: Clean and sterile looks professional, but really boring.|#15: Kunsthal Gent aims to be an extension of public space.|#132: Things will always look weird when you’re the first doing it.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#16: Kunsthal Gent will always be a construction site.|#54: What about disabled artists?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#55: Keep basic human needs on the forefront.|#81: Things come alive when there is friction.|#2: Bring something new to the city of Ghent.|#40: Follow the artist|#19: Have fun at the exhibition.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#124: Do less, do it better.|#6: Demand that visitors are active.|#65: No excuses: Thursday morning, team meeting.|#29: We make the program for the artist that we exhibit.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#36: We support production separately.|
