#54: What about disabled artists?|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#29: We make the program for the artist that we exhibit.|#98: The success of it will not lie in the result but in the process.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#35: The artist fee should be good.|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#94: No objections? Just do it.|#54: What about disabled artists?|#65: No excuses: Thursday morning, team meeting.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#64: Arrange a distribution of forces.|#29: We make the program for the artist that we exhibit.|#98: The success of it will not lie in the result but in the process.|#82: Clean and sterile looks professional, but really boring.|#28: Make Contracts.|#62: Be kind. Full dishwasher: empty it.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#112: Spaces today don’t need to be curated, but occupied.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#35: The artist fee should be good.|#89: Build-in impurity within the organisation.|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#84: The White Cube is a lie.|#51: How do we invite the true unknown?|#94: No objections? Just do it.|
