#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#36: We support production separately.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#28: Make Contracts.|#74: Last one out turns of the lights.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#36: We support production separately.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#28: Make Contracts.|#74: Last one out turns of the lights.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
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02.02.2023 17:30

Pay what you can

Syllabus Reading Group #11

On Thursday 2 February, we will start a new series of Syllabus Reading Group gatherings. In the coming months, we will organise the Reading Group on the 1st Thursday of each month, from 17:30 to 19:00. This first meeting, we will determine the direction together with you; the starting point will continue to be the work of Silvia Federici and other texts in line with her activist-feminist practice.

We will meet live in the Syllabus room and also test the possibility of joining online. Be very welcome and bring books or texts you would like to read or discuss together! In the company of Sara O’Rourke, anthropologist who is working on a PhD on the practice of a.o. Jesse Jones.

Info
  • Live gathering in Syllabus (possibility to join online)

  • Language: Dutch and English

Syllabus Reading Group