#44: No name tags at dinner.|#26: More artists, less borders.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#81: Things come alive when there is friction.|#111: Do it together.|#32: Be pan-gender polyphonic.|#98: The success of it will not lie in the result but in the process.|#92: We’re a learning organisation.|#35: The artist fee should be good.|#99: Evolve according to changing needs.|#16: Kunsthal Gent will always be a construction site.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#51: How do we invite the true unknown?|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#44: No name tags at dinner.|#26: More artists, less borders.|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#132: Things will always look weird when you’re the first doing it.|#40: Follow the artist|#20: Are exhibitions the most suitable form for the art that we present?|#62: Be kind. Full dishwasher: empty it.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#81: Things come alive when there is friction.|#111: Do it together.|#32: Be pan-gender polyphonic.|#98: The success of it will not lie in the result but in the process.|#92: We’re a learning organisation.|#35: The artist fee should be good.|#99: Evolve according to changing needs.|#16: Kunsthal Gent will always be a construction site.|#90: The best systems have a failure or ‘a hole’ in them…|#94: No objections? Just do it.|#17: An exhibition is never finished.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#51: How do we invite the true unknown?|#55: Keep basic human needs on the forefront.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|
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02.02.2023 17:30

Pay what you can

Syllabus Reading Group #11

On Thursday 2 February, we will start a new series of Syllabus Reading Group gatherings. In the coming months, we will organise the Reading Group on the 1st Thursday of each month, from 17:30 to 19:00. This first meeting, we will determine the direction together with you; the starting point will continue to be the work of Silvia Federici and other texts in line with her activist-feminist practice.

We will meet live in the Syllabus room and also test the possibility of joining online. Be very welcome and bring books or texts you would like to read or discuss together! In the company of Sara O’Rourke, anthropologist who is working on a PhD on the practice of a.o. Jesse Jones.

Info
  • Live gathering in Syllabus (possibility to join online)

  • Language: Dutch and English

Syllabus Reading Group