#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#36: We support production separately.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#28: Make Contracts.|#74: Last one out turns of the lights.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#89: Build-in impurity within the organisation.|#61: No all male install teams.|#36: We support production separately.|#64: Arrange a distribution of forces.|#55: Keep basic human needs on the forefront.|#84: The White Cube is a lie.|#132: Things will always look weird when you’re the first doing it.|#35: The artist fee should be good.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#127: Remain practical: what happens to the work in an endless exhibition?|#82: Clean and sterile looks professional, but really boring.|#32: Be pan-gender polyphonic.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#59: Always protect the floor when painting (or pouring concrete)|#14: Can you also remain a toddler institution?|#90: The best systems have a failure or ‘a hole’ in them…|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#6: Demand that visitors are active.|#19: Have fun at the exhibition.|#81: Things come alive when there is friction.|#26: More artists, less borders.|#28: Make Contracts.|#74: Last one out turns of the lights.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|
