#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#94: No objections? Just do it.|#36: We support production separately.|#54: What about disabled artists?|#37: Operate with radical transparency.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#74: Last one out turns of the lights.|#56: Take a lunch break.|#68: Once in a while we need to get out of utopia and get something done.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#132: Things will always look weird when you’re the first doing it.|#29: We make the program for the artist that we exhibit.|#40: Follow the artist|#90: The best systems have a failure or ‘a hole’ in them…|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#92: We’re a learning organisation.|#24: We invest long-term in individual artists’ careers, working over time in different contexts. This also applies to designers / web-developers / photographers / volunteers /…|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#14: Can you also remain a toddler institution?|#44: No name tags at dinner.|#94: No objections? Just do it.|#36: We support production separately.|#54: What about disabled artists?|#37: Operate with radical transparency.|#16: Kunsthal Gent will always be a construction site.|#117: Consider design, organisational structures and architecture as programme.|#58: Kunsthal Gent is a monument. If you plan to drill a hole, contact Tomas first.|#74: Last one out turns of the lights.|#56: Take a lunch break.|#68: Once in a while we need to get out of utopia and get something done.|#119: Be a space of production.|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#89: Build-in impurity within the organisation.|#132: Things will always look weird when you’re the first doing it.|#29: We make the program for the artist that we exhibit.|#40: Follow the artist|#90: The best systems have a failure or ‘a hole’ in them…|#127: Remain practical: what happens to the work in an endless exhibition?|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#107: Build a community / scene.|#92: We’re a learning organisation.|
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06.04.2023 17:30

Pay what you can

Syllabus Reading Group #13

On Thursday 2 February, we will start a new series of Syllabus Reading Group gatherings. In the coming months, we will organise the Reading Group on the 1st Thursday of each month, from 17:30 to 19:00. This first meeting, we will determine the direction together with you; the starting point will continue to be the work of Silvia Federici and other texts in line with her activist-feminist practice.

We will meet live in the Syllabus room and also test the possibility of joining online. Be very welcome and bring books or texts you would like to read or discuss together! In the company of Sara O’Rourke, anthropologist who is working on a PhD on the practice of a.o. Jesse Jones.

Info
  • Live gathering in Syllabus (possibility to join online)

  • Language: Dutch and English

Syllabus Reading Group