#32: Be pan-gender polyphonic.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#89: Build-in impurity within the organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#15: Kunsthal Gent aims to be an extension of public space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#40: Follow the artist|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|#32: Be pan-gender polyphonic.|#68: Once in a while we need to get out of utopia and get something done.|#20: Are exhibitions the most suitable form for the art that we present?|#132: Things will always look weird when you’re the first doing it.|#64: Arrange a distribution of forces.|#51: How do we invite the true unknown?|#87: Always keep in mind there is something really special about being in a room that is 19 meters tall.|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#89: Build-in impurity within the organisation.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#90: The best systems have a failure or ‘a hole’ in them…|#4: Pay what you can.|#15: Kunsthal Gent aims to be an extension of public space.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#94: No objections? Just do it.|#53: Immaterial support for artists is important.|#3: Entrance to all exhibitions at Kunsthal Gent is free.|#29: We make the program for the artist that we exhibit.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#40: Follow the artist|#10: Don’t be obsessed with numbers.|#39: Be the early stepping stone in an artist’s career|#54: What about disabled artists?|#81: Things come alive when there is friction.|#105: Kunsthal Gent is local in scale, but globally connected.|
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06.04.2023 17:30

Pay what you can

Syllabus Reading Group #13

Welcome to the Syllabus Reading Group, organised around the work 'Syllabus' by Irish artist Jesse Jones: a monumental curtain with the arm of Silvia Federici that creates a space for activist gatherings. The starting point is reading together: we read texts by Silvia Federici and other authors in line with her activist-feminist practice.

This year, we will organise the Reading Group on the 1st Thursday of each month, from 17:30 to 19:00. We meet live in the Syllabus space and there is also the possibility to join online. Be very welcome and bring books or texts you would like to read or discuss together!

Info
  • Live gathering in Syllabus (possibility to join online)

  • Language: Dutch and English

Syllabus Reading Group