#19: Have fun at the exhibition.|#74: Last one out turns of the lights.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#44: No name tags at dinner.|#112: Spaces today don’t need to be curated, but occupied.|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#36: We support production separately.|#6: Demand that visitors are active.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#37: Operate with radical transparency.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#19: Have fun at the exhibition.|#74: Last one out turns of the lights.|#39: Be the early stepping stone in an artist’s career|#60: Look after all tools. The moment it looks like things are missing it means that things are missing.|#44: No name tags at dinner.|#112: Spaces today don’t need to be curated, but occupied.|#59: Always protect the floor when painting (or pouring concrete)|#132: Things will always look weird when you’re the first doing it.|#36: We support production separately.|#6: Demand that visitors are active.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#131: A visitor who comes back after a week might discover new additions to the exhibition.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#117: Consider design, organisational structures and architecture as programme.|#119: Be a space of production.|#37: Operate with radical transparency.|#127: Remain practical: what happens to the work in an endless exhibition?|#53: Immaterial support for artists is important.|#14: Can you also remain a toddler institution?|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#20: Are exhibitions the most suitable form for the art that we present?|#105: Kunsthal Gent is local in scale, but globally connected.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|
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04.05.2023 17:30

Pay what you can

Syllabus Reading Group #14

On Thursday 2 February, we will start a new series of Syllabus Reading Group gatherings. In the coming months, we will organise the Reading Group on the 1st Thursday of each month, from 17:30 to 19:00. This first meeting, we will determine the direction together with you; the starting point will continue to be the work of Silvia Federici and other texts in line with her activist-feminist practice.

We will meet live in the Syllabus room and also test the possibility of joining online. Be very welcome and bring books or texts you would like to read or discuss together! In the company of Sara O’Rourke, anthropologist who is working on a PhD on the practice of a.o. Jesse Jones.

Info
  • Live gathering in Syllabus (possibility to join online)

  • Language: Dutch and English

Syllabus Reading Group