#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#68: Once in a while we need to get out of utopia and get something done.|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#51: How do we invite the true unknown?|#84: The White Cube is a lie.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#34: We pay artists.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#35: The artist fee should be good.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|#105: Kunsthal Gent is local in scale, but globally connected.|#59: Always protect the floor when painting (or pouring concrete)|#81: Things come alive when there is friction.|#132: Things will always look weird when you’re the first doing it.|#68: Once in a while we need to get out of utopia and get something done.|#111: Do it together.|#15: Kunsthal Gent aims to be an extension of public space.|#112: Spaces today don’t need to be curated, but occupied.|#51: How do we invite the true unknown?|#84: The White Cube is a lie.|#4: Pay what you can.|#127: Remain practical: what happens to the work in an endless exhibition?|#79: The layered painting in the Old House has the potential to become the emblem to explain what Kunsthal Gent is doing.|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#90: The best systems have a failure or ‘a hole’ in them…|#99: Evolve according to changing needs.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#34: We pay artists.|#23: That’s a very interesting piece, but how would it behave in a pizza joint?|#124: Do less, do it better.|#35: The artist fee should be good.|#88: Changing internships, artists, curators,... are important propositions to keep a fresh set of eyes.|#64: Arrange a distribution of forces.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#47: Artists need to be supported more than ever in the development of their practice due to the gaps that have been created in the field of fine art|
