#94: No objections? Just do it.|#99: Evolve according to changing needs.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#61: No all male install teams.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#81: Things come alive when there is friction.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#15: Kunsthal Gent aims to be an extension of public space.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#92: We’re a learning organisation.|#64: Arrange a distribution of forces.|#119: Be a space of production.|#94: No objections? Just do it.|#99: Evolve according to changing needs.|#141: Start a Publication Studio at Kunsthal Gent in the nearby future.|#61: No all male install teams.|#75: A building is a capricious thing: it is inhabited and changed, and its existence is a tale of constant and curious transformation.|#107: Build a community / scene.|#16: Kunsthal Gent will always be a construction site.|#5: Kunsthal Gent is a city where different identities collide in an ongoing exhibition without end date. New exhibitions are always a new layer in this ongoing story.|#20: Are exhibitions the most suitable form for the art that we present?|#33: We will ensure work by female artists and curators make up at least 50% of our programme each year.|#130: Be a uniquely charged and curated gallery that is an artwork in itself.|#81: Things come alive when there is friction.|#53: Immaterial support for artists is important.|#25: Never ask the artist to just present their work, ask them to co-create and co-organise the space.|#15: Kunsthal Gent aims to be an extension of public space.|#32: Be pan-gender polyphonic.|#29: We make the program for the artist that we exhibit.|#35: The artist fee should be good.|#70: Have the office space inside the exhibition space, it reminds of you what you are doing.|#105: Kunsthal Gent is local in scale, but globally connected.|#57: Volunteers must be: cared for / hands on / ready to learn / willing to share / in it to win it / show new or old tricks.|#91: Embrace doubt.|#92: We’re a learning organisation.|#64: Arrange a distribution of forces.|#119: Be a space of production.|
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01.06.2023 17:30

Pay what you can

Syllabus Reading Group #15

Welcome to the Syllabus Reading Group, organised around the work 'Syllabus' by Irish artist Jesse Jones: a monumental curtain with the arm of Silvia Federici that creates a space for activist gatherings. The starting point is reading together: we read texts by Silvia Federici and other authors in line with her activist-feminist practice.

This year, we will organise the Reading Group on the 1st Thursday of each month, from 17:30 to 19:00. We meet live in the Syllabus space and there is also the possibility to join online. Be very welcome and bring books or texts you would like to read or discuss together!

Info
  • Live gathering in Syllabus (possibility to join online)

  • Language: Dutch and English

Syllabus Reading Group